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Live/Archive: Occupy MLA
More than other netprovs, Occupy MLA [OMLA] lays bare the ethical and performative capacities of the genre. Both a live performance and an enduring if volatile media artifact, OMLA leaves "data contrails": digital traces of real-time reader participation that slowly decay and become less coherent over time. This decay creates an enduring performance record that distorts the live experience of it. In this essay, the shareable, spreadable and appropriative aspects of netprov as a "born digital" live reading/writing interface are considered. The sheer volume of OMLA's tweets and its installation as time-based art create a primary text whose "primacy" is functionally impossible. Part one of the essay examines how and why OMLA's 3000-tweet archive, #OMLA hashtag, and abundant paraphrastic materials actually take readers further from the live experience rather than closer in.
Kathi Inman Berens - 19.09.2014 - 16:45
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The Ciberia Project: An Experiment In Digital Hermeneutics
This article presents “Ciberia”, a collection of electronic literature works in Spanish, housed in OdA 2.0., a learning objects‟ repository of the University Complutense of Madrid. The Ciberia project involves experimentation at the humanistic and technological level, since it deals with the challenge of archiving digitally-born literary works as well as with the archiving process itself, which we are carrying out in OdA 2.0, a data management system for the creation of learning objects repositories on the Web. OdA allows different researchers to work collaboratively in a simultaneous manner on the data base, they can not only introduce new objects but they can also modify the data model. This entourage allows us to create taxonomies in an inductive rather than deductive manner.
Hannah Ackermans - 20.11.2018 - 10:02
