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1. Amy Elias

   Amy J. Elias is an associate professor in the English Department at the University of Tennessee, Knoxville. Her book Sublime Desire: History and Post-1960s Fiction (Johns Hopkins UP, 2001) concerns intersections between post-1960s historiography, the historical sublime, and literature. Her current book project is a study of the ethics of dialogue in postmodern theory, aesthetics, and contemporary art.

   Glenn Solvang - 07.11.2017 - 15:10

2. Mad Pascal

   Mad Pascal

   Piotr Marecki - 26.04.2018 - 13:07

3. The Metainterface: The art of platforms, cities and clouds

   The Metainterface: The art of platforms, cities and clouds

   Søren Pold - 01.06.2018 - 15:33

4. E-Lit in the Gutter: Applying McCloud's Transition Categories to Interactive Fiction

   This is a speech by Ted Fordyce concerning the Scott McCloud’s "Understanding Comics" book.

   The book is about symbolic and iconic representation, the relationship between word and image and the illustration of time. Ted Fordyce thinks it is really helpful for the digital works' interpretation.

   The main point is the McCloud’s discussion of the gutter to link-oriented electronic literature: his thought is that the gutter is the result of the author + reader collaboration. There are six different transitions: in each of them, the author determines the type and the reader is the one who provides interpretations. 

   In conclusion, Ted Fordyce thinks that the McCloud’s discussion «provides us with a useful set of tools as both creators and readers of interactive fiction».

   Source: https://sites.grenadine.uqam.ca/sites/nt2/en/elo2018/items/1214

   Chiara Agostinelli - 05.09.2018 - 14:58

5. Tom Abba

   Dr. Tom Abba is Associate Professor of Art & Design at UWE Bristol. His research addresses the grammars of writing and design within digital literature. A director of the artists’ collective Circumstance, he makes interdependent digital/physical books, working with the narrative of experience, politics of public space, sound and mobile technology. Between 2016 and 2018, he directed the Ambient Literature research project, exploring the potential of digitally mediated situated storytelling.  

   Akvile Sinkeviciute - 05.09.2018 - 15:00

6. Marjorie Luesebrink

   Marjorie Luesebrink

   Li Yi - 26.09.2018 - 14:59

7. Wendy Hui Kyong Chun

   Wendy Hui Kyong Chun is Simon Fraser University's Canada 150 Research Chair in New Media in the School of Communication. She has studied both Systems Design Engineering and English Literature, which she combines and mutates in her current work on digital media. [..] She has been Professor and Chair of the Department of Modern Culture and Media at Brown University, where she worked for almost two decades and where she’s currently a Visiting Professor. She has also been a Visiting Scholar at the Annenberg School at the University of Pennsylvania, Member of the Institute for Advanced Study (Princeton), and she has held fellowships from: the Guggenheim, ACLS, American Academy of Berlin, Radcliffe Institute for Advanced Study at Harvard. She has been a Visiting Professor at AI Now at NYU, the Velux Visiting Professor of Management, Politics and Philosophy at the Copenhagen Business School; the Wayne Morse Chair for Law and Politics at the University of Oregon, Visiting Professor at Leuphana University (Luneburg, Germany), and a Visiting Associate Professor in the History of Science Department at Harvard, of which she is an Associate.

   (from university profile)

   Gesa Blume - 27.08.2019 - 00:15

8. Electronic Literature as Paratextual Construction

   The following discussion aims to reflect on how electronic literature and affiliated or related fields describe themselves paratextually. I will argue that the social construction of ‘electronic literature’ is dominated by its systemic self-description. The paratextual construction basically works with the ascription of the genre name ‘electronic literature’ and discursive descriptions or reflections to phenomena of artistic practice and has been institutionalized in no small part by the Electronic Literature Organization. The argument is developed by observing paratextual practices in founding narratives, archives and collections related to the ELO. This perspective is contextualized by looking at self-descriptions in the pre-history of e-lit within the artistic program of poietic experimentation.

   David Wright - 28.08.2019 - 03:11

9. Digital Manipulability and Digital Literature

   Digital Manipulability and Digital Literature

   Pablo Uribe Valero - 17.09.2019 - 15:50

10. At the Time of Writing: Digital Media, Gesture, and Handwriting

    At the Time of Writing: Digital Media, Gesture, and Handwriting

    Jorge Sáez Jiménez-Casquet - 17.09.2019 - 15:51

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