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Biopoetry
Since the 1980s poetry has effectively moved away from the printed page. From the early days of the minitel to the personal computer as a writing and reading environment, we have witnessed the development of new poetic languages. Video, holography, programming and the web have further expanded the possibilities and the reach of this new poetry. Now, in a world of clones, chimeras, and transgenic creatures, it is time to consider new directions for poetry in vivo. In this article I propose the use of biotechnology and living organisms in poetry as a new realm of verbal, paraverbal and nonverbal.
Patricia Tomaszek - 12.01.2011 - 17:25
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From Mimetic to Cybernetic
From Mimetic to Cybernetic
Patricia Tomaszek - 13.01.2011 - 15:51
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Orality Writing Vision
Orality Writing Vision
Patricia Tomaszek - 13.01.2011 - 17:00
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Cybertekst: Metodologia i interpretacja
Fragments from a dissertation written under the guidance of of prof. P M. Markowski and defended at the Jagiellonian University 17 March 2010. Section "Cybertekst, ie, the text-machine."
Jill Walker Rettberg - 25.02.2011 - 12:28
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The Tradition of E-Lit Publishing in France
The Tradition of E-Lit Publishing in France
Eric Dean Rasmussen - 04.04.2011 - 12:01
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Netzliteratur.net and Edition Cyberfiction
Netzliteratur.net and Edition Cyberfiction
Eric Dean Rasmussen - 05.04.2011 - 12:38
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Nokturno.org
Nokturno.org
Eric Dean Rasmussen - 05.04.2011 - 13:46
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PO.EX '70-80: The Electronic Multimodal Repository
Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.
Scott Rettberg - 20.05.2011 - 13:28
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Bearing the Fruits of E-Poetry: A Personal Decennial View
Bearing the Fruits of E-Poetry: A Personal Decennial View
Scott Rettberg - 20.05.2011 - 13:35
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The Surface Materiality: Performing Generative Writing
The Surface Materiality: Performing Generative Writing
Scott Rettberg - 20.05.2011 - 13:38