Search

The search found 4 results in 0.011 seconds.

Search results

1. Corpus et interfaces: comment penser le partage du sens

   Cet article présente la plateforme #Idéo2017 (http://ideo2017.ensea.fr/plateforme/), qui répond au besoin sociétal d’une meilleure compréhension des événements sociaux, politiques, culturels. Les réseaux sociaux font de plus en plus partie du quotidien, notamment en ce qui concerne la « consommation » de l’information (Mercier, 2014). Le service de microblogging Twitter peut être considéré comme un indicateur pour connaître les réactions de ses utilisateurs sur des sujets sociaux (Longhi et Saigh, 2016 à sur la réforme du statut des intermittents), politiques (Longhi, 2014 ; Conover et al., 2011), économiques, etc. Par conséquent, on peut utiliser ces données textuelles pour extraire les émotions, les sentiments, les opinions, des utilisateurs (Kristen et Dan, 2016). Si des travaux universitaires ou industriels existent, les résultats sont difficilement accessibles pour les citoyens intéressés par ce thème.

   Amirah Mahomed - 29.08.2018 - 15:33

2. Opening up the Silent World: Narrating Interaction in a Digital Comic

   This paper examines Minna Sundberg’s ongoing and award winning digital web comic Stand Still. Stay Silent as a type of e-literature increasingly found in the “gap” between digitized comics and graphic novels on the one hand and born digital e-lit on the other. While the Sunberg’s process of production will be briefly noted, the main focus explores how the comic thematizes modes of interactivity that Sundberg also encourages in her readers/followers via forms of social media. Set in a post-apocalyptic world , the comic is an ongoing tale of exploration and discovery, where a group young explorers have left the havens of plague-free safe zones in order to see what is left of the rest of the world. The supernatural elements associated with the plague, or “the illness,” are also associated with a past that somehow went wrong. Writing of “Beasts, Trolls, and Giants,” the narrator explains, “They are a shadow of our past, a distorted echo of what once there was.” Avoiding the shadow of the past and the monstrosities it has produced is a powerful theme, carrying an implied social critique that deserves examination.

   Amirah Mahomed - 19.09.2018 - 15:17

3. The “Répertoire Des Ėcrivaines Et Ėcrivains Numériques”. Archiving And Institutionalization Of Digital Literature

    

   What are we talking about when we say “digital literature” today? If the early works of electronic literature – hypertext fiction, hypermedia literature, generative texts – could be identified by the distinguishing feature of hyperlink or technology in a wider sense, nowadays Twitterature, literary blogs, and Facebook writings challenge more and more the possibility to define this kind of literature under a solely technology-based perspective. The Canada Research Chair on Digital Textualities' project “Répertoire des écrivaines et écrivains numériques,” inspired by the CELL project, is an attempt to mind the existing gap between these new textual objets and literary studies. In this presentation, we will show and discuss the criteria upon which we have defined what is a digital literary object and a digital author, the archiving modalities of those objects, and the epistemological structure of our project in order to think about the impact of the digital turn on literary concepts such as author, authorship, literary work, and genre.

   Chiara Agostinelli - 15.10.2018 - 02:22

4. The Platform Society

   Individuals all over the world can use Airbnb to rent an apartment in a foreign city, check Coursera to find a course on statistics, join PatientsLikeMe to exchange information about one’s disease, hail a cab using Uber, or read the news through Facebook’s Instant Articles. In The Platform Society, Van Dijck, Poell, and De Waal offer a comprehensive analysis of a connective world where platforms have penetrated the heart of societies—disrupting markets and labor relations, transforming social and civic practices, and affecting democratic processes. The Platform Society analyzes intense struggles between competing ideological systems and contesting societal actors—market, government, and civil society—asking who is or should be responsible for anchoring public values and the common good in a platform society. Public values include, of course, privacy, accuracy, safety, and security; but they also pertain to broader societal effects, such as fairness, accessibility, democratic control, and accountability. Such values are the very stakes in the struggle over the platformization of societies around the globe.

   Daniel Johannes Flaten Rosnes - 17.06.2021 - 22:54