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1. Datorn som poetiskt bollplank

   Datolyrik. Vill du ha hjälp att skriva digital poesi kan du googla på ”poetry generator”. Så enkelt var det inte när Theo Lutz skänkte världen dess första datordikt 1959. I en ny bok gör Chris Funkhouser en arkeologisk expedition från datordikternas barndom ända in i framtiden.

   Patricia Tomaszek - 05.09.2012 - 19:55

2. Aya Karpinska and Daniel C. Howe

   This case study was originally prepared for, but does not appear in, New Directions in Digital Poetry (New York: Continuum, 2012); see http://newdirectionsindigitalpoetry.net

   Source: footnote 2 to the article

   Patricia Tomaszek - 06.09.2012 - 22:54

3. Cybertext Poetics: The Critical Landscape of New Media Literary Theory, A Review

   Cybertext Poetics: The Critical Landscape of New Media Literary Theory, A Review

   Patricia Tomaszek - 09.09.2012 - 22:21

4. Focalization and Digital Fiction

   Focalization and Digital Fiction

   Eric Dean Rasmussen - 24.09.2012 - 07:23

5. E-Borges: Stuart Moulthrop’s Victory Garden

   This essay analyses Stuart Moulthrop’s Victory Garden (1991), a singular hyperfiction within the context of hypertextual narratives released during the 90s. Taking into consideration the campus novel and anti-war novel themes, I focus my reading on the technological mediation of war and the intertextualization of Jorge Luis Borges’ short story “El Jardín de Senderos que se Bifurcan” (1941). Therefore, I argue that Victory Garden is an appropriation and recreation, via a digital medium, of several Borgesian motifs and his beloved metaliterary theme: the labyrinth.

   Jill Walker Rettberg - 24.09.2012 - 11:24

6. The Assimilation of Text by Image

   Jhave's wide-ranging history and prospectus alerts us to cognitive, material, and mythic dimensions of the nexus of image and text. By showing how text evolved into image, the essay traces a new malleability, dimensionality, and embodiment of writing. The contemporary image-text is a quasi-object with experimental literary qualities as well as an almost organic media dynamism.
   (Source: ebr Electronic Book Review)

   Eric Dean Rasmussen - 09.10.2012 - 11:04

7. Machine Enhanced (Re)minding: the Development of Storyspace

   This article traces the history of Storyspace, the world’s first program for creating, editing and reading hypertext fiction. Storyspace is crucial to the history of hypertext as well as the history of interactive fiction. It argues that Storyspace was built around a topographic metaphor and that it attempts to model human associative memory. The article is based on interviews with key hypertext pioneers as well as documents created at the time.

   Jill Walker Rettberg - 04.11.2012 - 09:43

8. A Posthuman Cosmopolitanism and New Media Writing

   New media writing is often conceptualised in terms of the relationship between human and computers, a process Katherine Hayles calls intermediation (Hayles 2008). However critical writing on new media writing has not necessarily made a strong link between intermediation and interculturality. Issues of globalisation, cosmopolitanism and cross-cultural exchange have not been as widely addressed as the technological features of new media work, though they are extremely relevant to it. Here I bring recent theories of globalisation and cosmopolitanism together with the concept of human and computer intermediation through the notion of a "posthuman cosmopolitanism".

   Source: author's abstract

   Patricia Tomaszek - 05.11.2012 - 23:49

9. Trapped to Reveal - On webcam mediated communication and collaboration

   Trapped to Reveal - On webcam mediated communication and collaboration

   Annie Abrahams - 13.11.2012 - 16:39

10. Autofiction on Screen: Self-representation of an Egyptian ‘Spinster’ in a Literary Blog

    In this paper the blog Yawmiyyat 3nis [Diary of a Spinster] written by the Egyptian 3Abeer Sulayman [Abeer Soliman] is conceived as a form of autofiction. In fact, two aspects of online writing are of great importance for Egyptian bloggers. Firstly, blogging has given the Egyptian young people the possibility of sharing their innermost feelings and daily frustration without the fear of identification and humiliation due to their relative anonymity. Secondly, the computer operates as a projective device that allows users to discover and create different versions of themselves (Sorapure, 2003). Thus, blog writing facilitates autobiographic writing but at the same time turns daily life into fiction. The analysis of Abeer Soliman’s blog aims to show how the computer has an impact on the way diaries are written. On a structural level, I will highlight the presence of distinct literary features that are enhanced by the medium: the use of visual/audio components, the interaction with readers, and the presence of links. All these elements are essential for the understanding of Abeer’s self-representation.

    Jill Walker Rettberg - 23.11.2012 - 13:36

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