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1. Body Webs: Re/constructing Boundaries in Shelley Jackson’s Patchwork Girl

   Body Webs: Re/constructing Boundaries in Shelley Jackson’s Patchwork Girl

   Jill Walker Rettberg - 22.05.2011 - 13:44

2. A Poem Is a Machine to Think With: Digital Poetry and the Paradox of Innovation

   A Poem Is a Machine to Think With: Digital Poetry and the Paradox of Innovation

   Patricia Tomaszek - 21.09.2011 - 14:46

3. Our Ailing Educational Institutions

   Our Ailing Educational Institutions

   Eric Dean Rasmussen - 15.02.2012 - 12:14

4. Poesia Eletrônica no Brasil: Alguns Exemplos

   Este artigo é um breve estudo sobre a poesia eletrônica no Brasil, sob enfoque histórico e num percurso a partir do uso das tecnologias do século XX e XXI (rádio, cinema, vídeo, computador, internet, web) que vem produzindo uma poesia que reúne palavra, imágem (estática e/ou animada) e som nos meios eletrônico-digitais (videopoesia, holopoesia, poesia eletrônica) usando a interface, a interatividade, a hipertextualidade e a hipermídia.

   (Source: Author's Abstract)

   Luciana Gattass - 08.11.2012 - 15:15

5. Kommunikation und Fiktion: Vom Schreiben und Lesen von Literatur im Internet

   Kommunikation und Fiktion: Vom Schreiben und Lesen von Literatur im Internet

   Jörgen Schäfer - 13.11.2012 - 15:22

6. The Coding and Execution of the Author

   One seldom-discussed cybertextual typology is offered by Espen Aarseth in chapter 6 of Cybertext, "The Cyborg Author: Problems of Automated Poetics." As someone who writes using computers—and who writes entire works whose course is influenced by this use of computers—this neglected topic in cybertextual studies seems to demand my attention not only as theorist and a critic but as an author. Am I crediting my computer properly when I attribute the authorship of works that my computer helped to create? Should I give myself and my computer a "cyborg name" (like a "DJ name") for just this purpose? When I write or use a new program, or replace my computer with a faster one, am I a new cyborg and thus a different author? Should my computer have a say in the publishing and promotion of works that we authored together? And should other important and inspirational mechanisms—my CD player, for instance, and my bookshelves—get cut in on the action as well?

   Scott Rettberg - 08.07.2013 - 16:19

7. Toying with the Parser: Aesthetic Materiality in Electronic Writing

   Toying with the Parser: Aesthetic Materiality in Electronic Writing

   Daniel Punday - 13.08.2018 - 21:02