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  1. Line of Inquiry: Many Authors Explore Creative Computing Through a Short Program

    The talk takes the audience through how a single one-line Commodore 64 BASIC program can serve as a Rosetta Stone, helping people understand the interconnected cultural and technical aspects of creative computing, practices of using the computer expressively and recreationally in innovative ways.

    Patricia Tomaszek - 22.07.2011 - 18:03

  2. 10 PRINT CHR$(205.5+RND(1)); : GOTO 10

    This book takes a single line of code—the extremely concise BASIC program for the Commodore 64 inscribed in the title—and uses it as a lens through which to consider the phenomenon of creative computing and the way computer programs exist in culture. The authors of this collaboratively written book treat code not as merely functional but as a text—in the case of 10 PRINT, a text that appeared in many different printed sources—that yields a story about its making, its purpose, its assumptions, and more. They consider randomness and regularity in computing and art, the maze in culture, the popular BASIC programming language, and the highly influential Commodore 64 computer.

    (Source: Publication website)

    Elisabeth Nesheim - 07.03.2013 - 15:45

  3. Infopoesia ou Poesia Informacional

    "Infopoesia ou Poesia Informacional" [Infopoetry or Informational Poetry] was published on October 29, 1987, in the Diário de Lisboa, in the supplement “Ler Escrever.”

    This benchmark article helped defining the state-of-the-art of “computational poetry,” by exposing the 1960s creative threads in the works by Nanni Balestrini, Herberto Helder, Margaret Masterman and Marc Adrian, and by additionally introducing new Portuguese and Brazilian authors, such as Pedro Barbosa, Silvestre Pestana, Antero de Alda, Erthos Albino de Souza and João Coelho. Furthermore, it disseminated for a general audience the relevance of computational programming in literary creation, by stressing that, for some authors, “a própria programação [é] o acto de criação poética por excelência, sendo o programa um poema” [the very programming (is) the act of poetic creation par excellence, being the program a poem], which facilitates different outputs.

    [Source: Álvaro Seiça, "A Luminous Beam: Reading the Portuguese Electronic Literature Collection" (2015)]

    Alvaro Seica - 05.03.2015 - 12:12