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As We May Think
As We May Think
Scott Rettberg - 25.03.2011 - 11:31
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Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext
Narrative Subjects Meet Their Limits: John Barth's "Click" and the Remediation of Hypertext
Eric Dean Rasmussen - 07.07.2011 - 16:37
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The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden
The Endless Reading of Fiction: Stuart Moulthrop's Hypertext Novel Victory Garden
Jill Walker Rettberg - 15.10.2011 - 21:15
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The Contingencies of the Hypertext Link
The Contingencies of the Hypertext Link
Scott Rettberg - 24.01.2012 - 14:38
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The Interactive Diagram Sentence: Hypertext as a Medium of Thought
Consideration of my work in poetry over more than twenty-five years begins with an analysis of the difficulties of juxtaposition for the poet. A diagram syntax notation provides a method for juxtapositions to be included in larger structures; the accessibility of structural elements in a diagram allows for such constructions as internal relationships and feedback loops. Juxtaposition itself, with no sacrifice of intelligibility, is achieved through an interactive device called a simultaneity. Finally the interactive diagram sentence is explored as a vehicle for hypertext as a medium of thought: this is a truly “native” mode of entirely non-linear thought.
(Source: Author's abstract from Visible Language)
Scott Rettberg - 03.02.2012 - 16:14
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Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe
Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe
Eric Dean Rasmussen - 02.05.2012 - 12:04
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Interactive Technology and the Remediation of the Subject of Writing
Interactive Technology and the Remediation of the Subject of Writing
Scott Rettberg - 25.06.2013 - 13:59
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Potentialities of Literary Cybertext
The application of cybertextual technologies to experimental poetics is the context for this brief exposition of my machine modulated literary work. I invoke theoretical issues of cybertext but these are not extensively explored. Instead, I raise issues crucial to the work described here — the role of (literary) text in cyberspace; silent reading in new visible language media; the confusions of computer as medium; the limitations of link-node hypertext; the shifting relationships between writer, reader and programmer; multi- and non-linear poetics; and the engagement of contemporary poetics with cybertext. The major part of the exposition then focuses on the work itself and certain of its future potentialities, with occasional reference to the more general, theoretical concerns.
(Source: Author's Abstract)
Alvaro Seica - 30.01.2015 - 16:44
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Beyond Codexspace: Potentialities of Literary Cybertext
First written and published in 1996, the unrevised form of this essay now comes across, in
certain respects, as ancient history – a function of the notorious acceleration of cultural and
media development since the explosive growth of the Web after 1994. And yet, it chiefly
describes a productive engagement with writing in programmable and, latterly, networked
media which dates back, in my own case, to the late 1970s, an all-too-human, rather than
silicon-enhanced, historical context.(Source: Author's Introduction)
Alvaro Seica - 04.02.2015 - 17:50