Search

Search content of the knowledge base.

The search found 11 results in 0.008 seconds.

Search results

  1. Poesia Eletrônica no Brasil: Alguns Exemplos

    Este artigo é um breve estudo sobre a poesia eletrônica no Brasil, sob enfoque histórico e num percurso a partir do uso das tecnologias do século XX e XXI (rádio, cinema, vídeo, computador, internet, web) que vem produzindo uma poesia que reúne palavra, imágem (estática e/ou animada) e som nos meios eletrônico-digitais (videopoesia, holopoesia, poesia eletrônica) usando a interface, a interatividade, a hipertextualidade e a hipermídia.

    (Source: Author's Abstract)

    Luciana Gattass - 08.11.2012 - 15:15

  2. New Media Poetry: Poetic Innovation and New Technologies

    States that new media poetry integrates characteristics of the new media in the theoretical basis of its poetics. Outlines its basis and shows how it affects poetic and verbal conventions, particularly with respect to the constitution of texts and the roles of author and reader, and with regard to its implications for views on language. (Source: Eric database)

    Alvaro Seica - 27.08.2013 - 14:06

  3. maintenant #40: sergej timofejev

    I want to share simple truths with you” – an interview with Sergej Timofejev by SJ Fowler.

    One of the most adventurous and groundbreaking poets in the Baltic, Latvia’s Sergej Timofejev is a fundamental part of the radical reconfiguration of his nation’s poetic culture and landscape in the last few decades. A urbane, grounded, naturalistic stylist, the power of his poetry has allowed him to implement numerous innovations in a region associated with formalism. Experiments with poetry and music / art installations / performance / video & even computer games, have seen his popularity soar in Latvia, though he remains a poet writing in Russian. In the 40th edition of Maintenant, Sergej Timofejev discusses the influence of Western culture, the healthy state of Latvian poetry and the reward of poetic collaborative innovation.

    Natalia Fedorova - 04.09.2013 - 21:38

  4. Videopoetry

    This paper is a theoretical approach to videopoetry. The concept of videopoetry as distinct from videoart came as the result of experimenting with video for creative and poetic production using verbal and nonverbal signs in 1968. It was not until 1985 that I had the opportunity to develop a new body of video work. Videopoetry soon became a new kind of poetry in its own right, with its own grammar and semantics. Thus videopoetry is a challenge for poets and readers as we are drifting away from Mallarmé’s galaxy and cannot escape the worldwide information sphere.

    (Source: Author's Abstract)

    Alvaro Seica - 11.11.2013 - 15:12

  5. Poética dos Meios e Arte High Tech

    This book is a collection of essays on semiotics of media, infoart, infopoetry, videopoetry, holopoetry, fractal aesthetics, poetics of zero gravity, dematerialization, teleart and robotics. (Source: http://www.cibercultura.org.br/tikiwiki/tiki-index.php?page=Po%C3%A9tica...)

    Alvaro Seica - 19.11.2013 - 12:23

  6. A Vanguard Projected in Motion: Early Kinetic Poetry in Portuguese

    This essay serves to promote a broader awareness of the pioneering efforts in videographic poetry produced in Portuguese in the decades leading up to the formation of the WWW. At present, documentation of such works in books and journal articles in English is particularly weak; the only title that even partially introduces such works is a now out-of-print issue of Visible Language that focused on New Media Poetry (Vol. 30.2). Thus, these historical predecessors to contemporary animated poetry are barely known in the United States. Prior to the 1990s only a few poets used video; much of what occurred transpired outside the realm of English (and some even outside the realm of language, as illustrated in the essay).

    (Source: Author's Abstract)

    Alvaro Seica - 19.11.2013 - 13:00

  7. The PO.EX Digital Archive of Portuguese Experimental Literature: A Review

    PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

    (Source: Author's Abstract)

    Alvaro Seica - 19.03.2014 - 12:25

  8. O PO.EX, Arquivo Digital da Literatura Experimental Portuguesa: Uma Recensão

    PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

    Alvaro Seica - 26.03.2014 - 15:00

  9. 'Roda Lume' by E. M. de Melo e Castro

    Roda Lume is a 2’ 43’’ videopoem, which was broadcast by the Rádio Televisão Portuguesa (RTP) in 1969 and subsequently destroyed by the station itself, and was reenacted by Melo e Castro from the original storyboard in 1986. The work is indeed surprising, as a poem that overlaps text, kinetic text, image, moving image and sound, anticipating and influencing various genres of digital hypermedia poetry mainly launched after the birth of the World Wide Web. It constructs a different notion of space-time, opening a “visual time” (Melo e Castro 1993: 238) of unfolding images and text that comprises a new reading perception.

    (Source: Author's text)

    Alvaro Seica - 07.04.2015 - 17:00

  10. Um Feixe Luminoso: Uma Leitura da Coleção de Literatura Eletrônica Portuguesa

    A Coleção de Literatura Eletrónica Portuguesa (CLEP), na base de dados ELMCIP, pretende abordar e recolher as obras criativas e teóricas mais relevantes produzidas por autores portugueses no campo da literatura eletrónica, durante os últimos quarenta e cinco anos. A coleção agrega também autores, eventos, organizações, editoras, periódicos, publicações, conferências, performances, instalações e exposições que estejam relacionadas com o contexto português.
    O presente ensaio analisa criticamente a CLEP, em torno de elementos literários, políticos, históricos, estéticos e tecnológicos, através de um fio condutor representado por um “feixe luminoso”, que pretende dar conta da transição e continuidade temática e medial, mas também da transgressão e ruptura, produzidas pela vanguarda do movimento de Poesia Experimental dos anos 1960 até aos ambientes computacionais de criação literária do século 21. Ao longo desta leitura, analisa-se igualmente várias obras de Pedro Barbosa, E. M. de Melo e Castro, Silvestre Pestana, Manuel Portela e Rui Torres.

    (Fonte: Resumo do Autor)

    Alvaro Seica - 03.09.2015 - 22:32

Pages

Filter by tags: