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  1. E-lit From a Librarian's Perspective

    E-lit From a Librarian's Perspective

    Eric Dean Rasmussen - 19.08.2011 - 14:17

  2. Is There a Message in the Medium? The Materiality of Language

    The initial argument of this essay is absurdly simple, obvious, literal: language must be embodied and thus its particular medium is—literally, ontologically—the matter, the flesh, the materiality of any message that it articulates. Marshall McLuhan urged us to recognize that media signify, that the matter in which the message is embodied also traces differences that were already what we have come to call ‘writing’ in a poststructuralist, Derridean sense: grammatological practices. However, McLuhan’s copula was not ontological. It expressed a concern that these other, parallel messages were more significant than any linguistic message they embodied. This same anxiety has reached a kind of apotheosis in recent criticism of digital literature—from Christopher Funkhouser and Roberto Simanowski—revenant as no less than our ancient fear of cannibalism. The message of the medium literally consumes the materiality of language: its own body, flesh of its flesh. But this cannibalism would only be literal—and thus taboo, thus truly terrifying—if McLuhan’s copula were ontological.

    Eric Dean Rasmussen - 30.08.2011 - 12:34

  3. Lesningens visjoner: Om å lese i et multimedialt miljø

    A discussion of the Poetry Beyond Text project, which examined reading of concrete and digital poetry from a cognitive perspective, and a 2011 exhibition in Dundee, Scotland associated with the project, which included works by John Cayley and Simon Biggs.

    Scott Rettberg - 25.03.2012 - 12:45

  4. Visions of Reading

    Expanded English version of "Lesningens Visjoner: Om å lese i et multimedialt miljø" published in Norwegian in Vagant 2/2011.

    A discussion of the Poetry Beyond Text project, which examined reading of concrete and digital poetry from a cognitive perspective, and a 2011 exhibition in Dundee, Scotland associated with the project, which included works by John Cayley and Simon Biggs.

    Scott Rettberg - 25.03.2012 - 21:00

  5. Rui Torres e Clarice Lispector: Poéticas Intermédia

    Este ensaio apresenta os pontos de convergência entre a ficcionista brasileira Clarice Lispector e o poeta português Rui Torres, tendo, enquanto corpus de análise, o poema hipermídia “Amor de Clarice” (2005), este último, construído a partir do conto “Amor”, da autora de Laços de Família (1960). Numa abordagem comparativista, tendo como enfoque o impacto da tecnologia sobre o cenário sociocultural da atualidade, busca-se, igualmente, analisar a relação autor-obra-leitor, com o advento das novas tecnologias da informação e do uso do computador enquanto máquina semiótica. As discussões apontam que, diante do texto clariceano, o escritor português promove uma releitura que dialoga criativamente com o original, expandindo sua carga semântica por meio de recursos sonoros, visuais e de animação. Sob a influência da rica tradição literária da Poesia Experimental Portuguesa, “Amor de Clarice” aposta no entrecruzamento da linguagem literária com os suportes midiáticos para romper com valores estéticos tradicionais, apontando novos paradigmas para a literatura luso-brasileira contemporânea.

    (Fonte: Resumo dos Autores)

    Alvaro Seica - 02.12.2013 - 14:25