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1. State of the Arts

   State of the Arts: The Proceedings of the Electronic Literature Organization's 2002 State of the Arts Symposium & 2001 Electronic Literature Awards. Published as a book with CD-ROM. The CD includes the winning works as well as most of the shortlisted works, video files and photos of the 2001 awards ceremony, and audio of keynotes from the 2002 State of the Arts symposium.

   Eric Dean Rasmussen - 22.02.2011 - 15:47

2. Electronic Literature in the University

   Commentary on the "Electronic Literature in the University Panel" at the 2002 Electronic Literature Symposium: State of the Arts, organized by the Electronic Literature Organization and hosted by the University of California at Los Angeles (UCLA) . Larry McCaffery moderated the panel, which featured Loss Pequeño Glazier, Alan Liu, Sue Thomas, and Victoria Vesna. Panelists discussed challenges facing academics trying to integrate electronic literature within existing arts and humanities programs, where electronic literature was most likely to find institutional support within university systems, the need for accessible, well-designed digital archives, and the dangers that interdisciplinary e-lit scholars might encounter.

   Eric Dean Rasmussen - 22.02.2011 - 16:15

3. Publish and Die: The Preservation of Digital Literature within the UK

   Publish and Die: The Preservation of Digital Literature within the UK

   Eric Dean Rasmussen - 06.04.2011 - 11:23

4. Archivability of Electronic Literature in Context

   Archivability of Electronic Literature in Context

   Jörgen Schäfer - 08.07.2011 - 10:50

5. E-lit From a Librarian's Perspective

   E-lit From a Librarian's Perspective

   Eric Dean Rasmussen - 19.08.2011 - 14:17

6. Making Connections Visible: Building a Knowledge Base for Electronic Literature

   Developing a Network-Based Creative Community: Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) is a collaborative research project funded by the Humanities in the European Research Area (HERA) JRP for Creativity and Innovation. Focusing on the electronic literature community in Europe as a model of networked creativity and innovation in practice, ELMCIP is intended both to study the formation and interactions of that community and also to further electronic literature research and practice in Europe. The ELMCIP Knowledge Base is a publicly accessible online database that focuses on capturing core bibliographic data and archival materials about authors, creative works, critical writing, events, organizations, publishers, and teaching resources and on making visible the connections between creative and scholarly activities in the field.

   This presentation will focus on three aspects of the ELMCIP Knowledge Base in particular:

   1) Cross-referencing to make visible the emergence of creative and scholarly communities of practice

   Eric Dean Rasmussen - 13.09.2011 - 15:42

7. European eLiterature Collection

   The European eLiterature Collection is a project developed as part of The eLiterature Research Project. The aim of the collection is to provide an essential tool to assist in formalizing e-Literature in Europe.

   In this respect, the European eLiterature Collection Board of Editors, evaluates, reviews, and publishes on the web works of Electronic Literature by European authors.

   

   Fabio De Vivo - 22.10.2011 - 12:16

8. Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives

   Electronic literature and E-Poetry is updated, interactive, subjective and well networked. But how durable is it? How long do texts published on web pages remain readable? It seems ironic that the transient character of the internet is attached to a medium that seems to be very suitable for documentation and archiving. All information is automatically digitally recorded and processed. This enables digital storage and retrieval as well as mirroring on different servers. There already exist a number of (often private) archive platforms that should be systematically supplemented by extensive archiving by national libraries. And still each website only remains available on the internet at its original address for less than 100 days on average. Afterwards it moves or is erased completely. This is of course also the case for Net literature. Projects can furthermore no longer be playable because their contents required plugins that are outdated; or they are only optimized for certain, old browser versions and no longer work on newer browsers.

   Audun Andreassen - 03.04.2013 - 10:28

9. What Is at Work in a Work of Digital Literature?

   This proposal is for a panel presentation. In keeping with the themes of Archive and Innovate, this panel will look at structures and decoding with respect to the practice of preserving electronic fiction and poetry. A finished electronic piece is the end result of various decisions about technology and the coding that accompanies this production. In some cases the reading of a piece partially decodes the assemblage; in other works, the coding structure remains hidden. The members of this panel will look at both phenomena as an aspect of investigating works of digital literature. Members will include Marjorie C. Luesebrink/M.D. Coverley (chair), Stephanie Strickland, John Zuern, and Mark Marino.

   Audun Andreassen - 03.04.2013 - 15:19

10. The State of the Archive: Authors, Scholars, and Curators on Archiving Electronic Literature

    Archiving electronic literature and the challenges raised by this task is a subject of discourse and action as well as a formative force in shaping the emergence of electronic literature as field of scholarly study. The ELO Visionary Landscapes Conference in 2007 dedicated a keynote position to a panel on the topic of preserving electronic literature with archivists from leading universities, and the panel was a cornerstone of discussion at the conference and beyond. The current proposal for a panel on the topic seeks to continue the conversation while extending it to voices not usually included in critical conversation about archiving— artists whose work is selected for preservation. What kinds of experiences are involved in collecting and handing over one’s oeuvre to an archivist? Does this experience affect the practice (artistic and otherwise) of future creation? Are there specific aspects of these questions and their answers that are specific to the digital nature of the objects?

    Audun Andreassen - 10.04.2013 - 11:21

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