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PO.EX '70-80: The Electronic Multimodal Repository
Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.
Scott Rettberg - 20.05.2011 - 13:28
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Acoustic and Visual Imagination in Poetry from the Neo_Avantgarde to New Media Poetry in Yugoslav and Post-Yugoslav Poetry
At the beginning of my text I will consider contemporary interpretations of the visual and acoustic aspects of poetry. The main references will be texts written by American poets, performers, artists, theoreticinas such as Charles Bernstein, Michael Davidson, and Johanna Drucker. Shortly, I will point to the history of these phenomena in the West. Special attention will be given to the concepts of plurivocality and plurality of visual projections in different kinds of experimental poetry.
In applying these concepts in considering Yugoslav Avant-Gardists: Franci Zagoričnik and OHO group (Slovenia), Vlado Martek (Croatian) and Katalin Ladik and Awin authors (Serbia) I will first discuss the status of experimental poetry in so called small cultures. Then I will show the range of experimentation in the work of the poets I have mentioned, who worked within the Yugoslav socialism and post-Yougoslav postsocialism.
Eric Dean Rasmussen - 30.08.2011 - 11:25
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Poesia Digital: Reflexões em Curso
Este trabajo analiza la recepción de la poesía digital basada en la producción de Mallarmé, Apollinaire, Pound, Joyce y Cummings, con el objetivo de señalar la influencia de estos poetas en su construcción. A través del análisis de los poemas en un medio electrónico, encontramos algunos elementos de literariedades digitales, identificando algunas de sus características. Algunos poemas digitales instan al lector a una relación más interactiva, otros permiten una lectura de menos dispersión interpretativa, y hay poemas que explotan exhaustivamente los recursos del computador, y la postura del lector es la que determina la construcción del significado, independientemente de los medios de circulación de la producción.
Alvaro Seica - 02.12.2013 - 11:52
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Concrete and Digital Poetics
I argue that there is an intrinsic connection between concrete poetics as a theory of the medium (i.e., of language, of written language, and of poetical forms) and digital poetics as a theory of poetry for the digital medium. This link is clearly seen in the use of concrete poems as storyboards and scripts for electronic texts, both in composing text for graphic interface static display and for animation. This essay deals with the adoption of electronic media by concrete poets, with examples from the work of Brazilian poet Augusto de Campos (1931-), and Portuguese poets E.M. de Melo e Castro (1932-) and Tiago Gomez Rodrigues (1972-).
(Source: Author's Abstract)
Alvaro Seica - 05.12.2013 - 16:09
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O Experimentalismo como Invenção, Transgressão e Metamorfose: A PO.EX Revisitada Através de Po-ex.net
O experimentalismo português iniciou-se na década de 1960, com um propósito comum de conferir ao acto poético valores artísticos, políticos e sociológicos assentes numa ruptura de vanguarda. O presente ensaio situa a intervenção experimental como invenção, transgressão e metamorfose, visto que perpassa as obras dos autores de "Poesia Experimental" e, mais tarde, de um novo conjunto de autores que exploraram a poesia visual, sonora, digital e a performance. Através do arquivo Po-ex.net, que documenta e dissemina o seu estudo, traçam-se dois itinerários, revisitando algumas das obras com carácter interventivo e transformativo, desde os anos 1960 até à actualidade.
(Fonte: Resumo dos Autores)
Alvaro Seica - 07.11.2016 - 17:36
