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  1. Kenneth Goldsmith

    A conversational interview between the with poet Kenneth Goldsmith and the literary critic Marcus Boon.

    Eric Dean Rasmussen - 27.10.2011 - 13:29

  2. The Imaginary Solution

    "[A] particular modernism has finally fully arrived, about a decade behind schedule, but making up for lost time. Part of the task of this essay is to docu- ment the emergence of this return and to provide evidence of a ten- dency that plays out across media, indexing and exemplifying one of the defining conditions of its cultural moment. Because these works fall outside the genres and styles likely to be familiar even to many readers of avant-garde literature, this documentation will require a certain degree of descriptive cataloguing (although it is worth noting that the catalogue itself, not coincidentally, is a key component of the works I will itemize). With the series of examples that follow, I further hope to show that this particular trend in contemporary literature is uniquely hinged, not only recovering one of the dreams of its literary past but also looking forward to what may be the nightmare of our digital future.

    Jill Walker Rettberg - 05.12.2011 - 13:38

  3. Warfare and Conventionality: How avant-garde computer-generated text can be

    Computer generated text has been considered warfare carried out against conventionality and was accordingly tagged “cybernetic Dadaism”, which seems to be obvious given that most computer generated text is nonsensical. However, there are attempts to have the machine generate meaningful text ideally indistinguishable from text by a human. This is where the problem starts. If a machine aims to be as good as a human writer, can it still afford to do what a human writer may aim at: writing like a machine? Wouldn’t any idiosyncratic style – which might in conventionally generated literature be understood as avant-garde – be perceived as a failure of the program? In other words: Can literature be avant-garde (or rather: advanced) in both, its way of production as well as its style? The lecture will discuss the issue with a closer look at Michael Mateas’ and Andrew Stern’s interactive drama Façade.

    Jill Walker Rettberg - 09.12.2011 - 10:44