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Biopoetry
Since the 1980s poetry has effectively moved away from the printed page. From the early days of the minitel to the personal computer as a writing and reading environment, we have witnessed the development of new poetic languages. Video, holography, programming and the web have further expanded the possibilities and the reach of this new poetry. Now, in a world of clones, chimeras, and transgenic creatures, it is time to consider new directions for poetry in vivo. In this article I propose the use of biotechnology and living organisms in poetry as a new realm of verbal, paraverbal and nonverbal.
Patricia Tomaszek - 12.01.2011 - 17:25
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Holopoetry, Biopoetry and Digital Literature: Close Reading and Terminological Debates
A version of this article was republished as chapter 1, "Digital Literature," in Simanowski's Digital Art and Meaning (University of Minnesota Press, 2011).
Patricia Tomaszek - 13.01.2011 - 18:33
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From ASCII to Cyberspace: A Trajectory in Digital Poetry
From ASCII to Cyberspace: A Trajectory in Digital Poetry
Eric Dean Rasmussen - 13.04.2011 - 10:45
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Luz & Letra: Ensaios de Arte, Literatura e Comunicação
Coletânea de ensaios do autor sobre artes plásticas, com ênfase nas principais conquistas da arte eletrônica ou digital brasileira, e destaque para artistas como Hudinilson Jr., Mario Ramiro, Otávio Donasci, Wilson Sukorski e Paulo Bruscky. Entrevistas com Luís Aranha, o poeta brasileiro modernista que participou da Semana de Arte Moderna de 22, Reynaldo Jardim, escritor, membro fundador da Arte Neoconcreta e renovador do rádio brasileiro, e Abraham Palatnik, pioneiro internacional da arte cinética. O livro inclui ainda a pesquisa do autor sobre Landell de Moura, o genial e esquecido padre gaúcho que obteve em Nova Iorque, nos primeiros anos do século XX, patentes para sua invenção, o rádio.
Source: amazon.com
Luciana Gattass - 11.10.2012 - 16:35
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Poesia Eletrônica no Brasil: Alguns Exemplos
Este artigo é um breve estudo sobre a poesia eletrônica no Brasil, sob enfoque histórico e num percurso a partir do uso das tecnologias do século XX e XXI (rádio, cinema, vídeo, computador, internet, web) que vem produzindo uma poesia que reúne palavra, imágem (estática e/ou animada) e som nos meios eletrônico-digitais (videopoesia, holopoesia, poesia eletrônica) usando a interface, a interatividade, a hipertextualidade e a hipermídia.
(Source: Author's Abstract)
Luciana Gattass - 08.11.2012 - 15:15
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anomalie_digital arts n°5 "://brasil" / Anomalie
Ce numéro 5 de la revue Anomalie_digital arts # 5 intitulé " : // brasil " est édité en partenariat avec le festival @rt outsiders 2005 / Maison Européenne de la Photographie. Il présente l'exposition du festival et " l'art des nouveaux médias " au Brésil. Cet ouvrage aborde dans une perspective historique les pratiques technologiques contemporaines qui animent la scène artistique brésilienne. Des expériences d'art cinétique d'Abraham Palatnik aux créations sensorielles d'Hélio Oiticica et de Lygia Clark, des poèmes holographiques d'Eduardo Kac aux créations numériques les plus récentes, il nous dévoile toute la multiplicité de la création actuelle, ce " mélange de sensualité tropicale et de rigueur constructiviste " dont parle Kac .
Luciana Gattass - 12.11.2012 - 11:51
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Holopoetry and Perceptual Syntax
The Holopoetry project creates a new poetic language through the improbable possibilities of immaterial, textual volumes, produced through the holographic process. The main problem in poetic expression today is not one of compositional unit (from letter to sentence), but one of syntax, which is no longer organized in a line (“undimensional flow of signs” — Max Bense), or structured on a flat surface (“a textual surface” — Bense). With holopoetry, syntax is organized in discontinuous space. Instead of reducing the rhythm to the limitations of a flat surface, holopoetry makes it possible to create a poetic language in which it does not matter if one is using phrasal, vocabular, syllabic or literal structures — expression is similar to the enigmatic states of conscience and spaciotemporality is used on an extreme, pluridimensional level of complexity. This new holistic perception, source of the fruition of real immaterial objects, volumes without mass, requires a response in the structure of language: the possibility to transform the instrument of intellectualization — the word — into a sign as fluid and elastic as thought.
Luciana Gattass - 25.11.2012 - 13:09
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Holopoetry and fractal holopoetry: Digital holography as an art medium
A holographic poem, or holopoem, is a poem conceived, made and displayed holographically. This means, first of all, that such a poem is organized non-linearly in an immaterial three-dimensional space and that even as the reader or viewer observes it, it changes and gives rise to new meanings. Thus as the viewer reads the poem in space — that is, moves around the hologram—he or she constantly modifies the structure of the text. A holopoem is not a poem composed in lines of verse and made into a hologram, nor is it a concrete or visual poem adapted to holography. The sequential structure of a line of verse corresponds to linear thinking, whereas the simultaneous structure of a concrete or visual poem corresponds to ideographic thinking. The poem written in lines, printed on paper, reinforces the linearity of poetic discourse, whereas the visual poem sets words free on the page. Like poetry in lines, visual poetry has a long ancestry, which runs from Simias of Rhodes, through the Baroque poets, to the Modernists Marinetti, Tzara, Cummings and Apollinaire, and most recently to the experimental poets of the 1960s and 1970s.
Luciana Gattass - 25.11.2012 - 13:24
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Poesia Holográfica: as três dimensões do signo verbal
Lá pelos idos da primeira década do nosso século, no turbilhão dos movimentos de vanguarda, o desenvolvimento da linguagem cinematográfica levou Guillaume Apollinaire a afirmar que a era da tipografia havia chegado ao fim e que no futuro o poeta conheceria liberdades que naquele momento não eram sequer imagináveis. Se o famoso poeta calígrafo-cubista pecou ao ser taxativo sobre a futura simbiose entre a poesia e as artes gráficas, não se equivocou ao sentenciar profeticamente que a poesia ainda seguiria rumos imprevisíveis. Da mesma forma que a galáxia de Gutenberg provocou profundas alterações na cultura humana e a eletrônica, em plena era da telemática, é responsável igualmente por mudanças radicais -- a holografia traz um contundente questionamento das formas convencionais de percepcão visual e, ao introduzir um método de registro tridimensional, abre possibilidades totalmente novas nos campos da expressão artística e do conhecimento científico.
Luciana Gattass - 25.11.2012 - 16:45
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Recent Experiments in Holopoetry and Computer Holopoetry
Holographic poetry is better understood in the context of the multiple directions that visual poetry took in the twentieth century, and in order to make clear some theoretical issues of holopoetry which will be discussed ahead I shall proceed to summarize some of the highlights in the development of this literary genre.
Luciana Gattass - 27.11.2012 - 16:27
