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Reveal Codes: Hypertext and Performance
Reveal Codes: Hypertext and Performance
Eric Dean Rasmussen - 14.03.2011 - 11:24
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Performative Reading: Attending The Last Performance [dot org]
The Last Performance [dot org] by Judd Morrissey, Mark Jeffrey, the Goat Island Collective, and more than 100 other contributors, is a work of database literature that exists in a number of different manifestations online, in performance, and in museum installations. The work-in-progress was initiated in 2008. It was composed using a constraint-driven collaborative writing process that invites user contributions. In this essay, Scott Rettberg considers the difficulties of attempting a close reading of this type of electronic literature, and suggests some strategies for attentive reading, driven by close reading of fragments of the work and awareness of how the work functions as a computational and narrative system.
Patricia Tomaszek - 06.05.2011 - 14:01
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Reading Time: For a Poetics of Hypermedia Writing
Reading Time: For a Poetics of Hypermedia Writing
Eric Dean Rasmussen - 11.05.2011 - 12:05
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Voice of the poet programmer Jörg Piringer
Voice of the poet programmer Jörg Piringer
J. R. Carpenter - 25.11.2011 - 13:30
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Paradoxical Print Publishers TRAUMAWIEN
Paradoxical Print Publishers TRAUMAWIEN
J. R. Carpenter - 25.11.2011 - 14:02
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A New "Gospel of the Three Dimensions": Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla's Beyond the Screen
A review of Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres, edited by Peter Gendolla and Jörgen Schäfer.
Patricia Tomaszek - 21.01.2012 - 22:53
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Curating the MLA 2012 'Electronic Literature' Exhibit
What follows is an explanation of the logic underlying this idea of curating the "Electronic Literature" exhibit and a rearticulation of our curatorial statements, viewed now in retrospect. Dene Grigar begins by introducing our underlying views and includes her revised statement for "Works on Desktop." Lori Emerson follows with her statement on "Readings and Performances;" Kathi Inman Berens ends the essay with her statement on "Mobile and Geolocative" works.
Source: from the article (3)
Patricia Tomaszek - 28.08.2012 - 22:14
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Dramaturgy and the Digital
a look at new dramaturgical strategies prompted by digital practice.
J. R. Carpenter - 11.03.2013 - 19:15
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The Print Map as a ‘literary platform’
J.R. Carpenter describes creating and distributing The Broadside of a Yarn, a hybrid print-digital art-literature project commissioned by Electronic Literature as a Model for Creativity and Innovation in Practice (ELMCIP) for Remediating the Social, an exhibition which took place at Inspace, Edinburgh, UK, 1-17 November 2012.
J. R. Carpenter - 22.05.2013 - 13:43
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Code as Ritualized Poetry: The Tactics of the Transborder Immigrant Tool
The Transborder Immigrant Tool is a provocative mobile phone app by the Electronic Disturbance Theater (EDT) that provides sustenance to border crossers by leading them to water and guiding them with poetry. Although the tool can be applied to any border, the chief border it has been tied to and tested on is the US-Mexico border. The EDT present the project as an artistic disruption of the tired national political theater staged at that border. The piece refocuses attention on the basic human needs of those caught in the middle of the stale and stalemated divide. For the EDT, every part of the piece participates in this disruption not merely the finished app or the poetry but the code as well. In this paper, I ask, what would it mean for the code to poetic disruption? One set of poetry for the project created by Amy Sara Carroll offers instructions for desert survival. By presenting instructions as poems, she offers one entre into reading the source code of the app as poetry. Using the methods of Critical Code Studies, I read the code of TBT in light of and as part of the poetic intervention of this complex performance.
(Source: Author's abstract at DHQ)
Scott Rettberg - 03.07.2013 - 13:33
