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1. From Print to Kinetic Visual Poetry

   In this presentation I use Ottar Ormstad’s works as an example to discuss the productive relationship between concrete poetry and film-production and demonstrate how Ormstad’s print-based work intrinsically implies motion.

   Patricia Tomaszek - 27.03.2014 - 15:27

2. 'Roda Lume' by E. M. de Melo e Castro

   Roda Lume is a 2’ 43’’ videopoem, which was broadcast by the Rádio Televisão Portuguesa (RTP) in 1969 and subsequently destroyed by the station itself, and was reenacted by Melo e Castro from the original storyboard in 1986. The work is indeed surprising, as a poem that overlaps text, kinetic text, image, moving image and sound, anticipating and influencing various genres of digital hypermedia poetry mainly launched after the birth of the World Wide Web. It constructs a different notion of space-time, opening a “visual time” (Melo e Castro 1993: 238) of unfolding images and text that comprises a new reading perception.

   (Source: Author's text)

   Alvaro Seica - 07.04.2015 - 17:00