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1. On Navigation and Interactivity

   On Navigation and Interactivity

   Simon Biggs - 21.09.2010 - 11:22

2. Techniques avancées pour l'hypertexte

   Techniques avancées pour l'hypertexte

   Jill Walker Rettberg - 15.10.2011 - 21:49

3. The Interactive Diagram Sentence: Hypertext as a Medium of Thought

   Consideration of my work in poetry over more than twenty-five years begins with an analysis of the difficulties of juxtaposition for the poet. A diagram syntax notation provides a method for juxtapositions to be included in larger structures; the accessibility of structural elements in a diagram allows for such constructions as internal relationships and feedback loops. Juxtaposition itself, with no sacrifice of intelligibility, is achieved through an interactive device called a simultaneity. Finally the interactive diagram sentence is explored as a vehicle for hypertext as a medium of thought: this is a truly “native” mode of entirely non-linear thought.

   (Source: Author's abstract from Visible Language)

   Scott Rettberg - 03.02.2012 - 16:14

4. Pressing the ‘Reveal Code’ Key

   Pressing the ‘Reveal Code’ Key

   Patricia Tomaszek - 16.03.2012 - 23:52

5. Unique-Reading Poems: A Multimedia Generator

   Unique-Reading Poems: A Multimedia Generator

   Scott Rettberg - 25.08.2012 - 23:23

6. The History of Communications Media

   The History of Communications Media

   Scott Rettberg - 29.06.2013 - 13:37

7. A Declaration of the Independence of Cyberspace

   A Declaration of the Independence of Cyberspace

   Scott Rettberg - 30.06.2013 - 16:06

8. Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext

   Women Writers and the Restive Text: Feminism, Experimental Writing and Hypertext

   Scott Rettberg - 30.06.2013 - 21:45

9. The Strategic Pursuit of Collective IQ

   The Strategic Pursuit of Collective IQ

   Scott Rettberg - 02.07.2013 - 10:47

10. Ut Pictura Hyperpoesis: Spatial Form, Visuality, and the Digital Word

    This essay discusses the visual characteristics of hypertext (space, contour, depth) by situating it, as an artistic form, in the literary traditions that it extends and modifies. While, from a literary perspective, hypertextuality is nothing new, what is revolutionary is the way that computerized hypertext emulates the spatial and visual qualities that literary texts have historically struggled to effect. To illustrate the concept of spatial form I have chosen to analyze the mola web, a hypertext which is unique, though not abnormal, in the extremity of its link structure. One needs only think of the ubiquitous metaphor of the labyrinth in hypertext criticism or of the recent attention given to spatial user interfaces to see how dependent is the idea of hypertext on a spatial form.

    Scott Rettberg - 02.07.2013 - 14:21

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