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A Short History of Electronic Poetry
“Una Piccola Storia della Poesia Elettronica” presents a brief history of digital poetry, from the perspective of the Electronic Poetry Center (EPC), Buffalo, and the international E-Poetry Festivals of digital literature, art, and performance (E-Poetry). The paper engages the discipline from various perspectives, considering its relation to historic contextualizing movements and institutional mechanisms. Typifying the E-Poetry festivals, it is argued, are its exuberant origins: (1) the U.S. small press movements of the later twentieth century; (2) the activities and philosophies of the Electronic Poetry Center; (3) its self-definition as more broadly-conceived than that of hypertext; (4) the pre-existing literary ground of Language Poetry practices; (5) the vibrancy of the as-then-constituted Poetics Program at Buffalo, and; (6) a "symposium of the whole", the continued emerging importance of enthnopoetic localizations to an eventual realization of contemporary poetics.
Patricia Tomaszek - 12.01.2011 - 16:57
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Interpoetry: a game of words, images and sounds as a poetic sign in digital media
This paper treats about the hypertextuality and interactivity of Philadelpho Menezes and Wilton Azevedo’s cd-rom Interpoesia (Interpoetry). By describing the procedures of poetic construction, it is analyzed the poetic sign as a game of words, images and sounds in digital environment. The prefix inter plays an important role in the cd-rom project not only as a new term for digital poetry, but also as a cultural and technological product that intends to replace the book.
Luciana Gattass - 17.10.2012 - 16:38
