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1. Digital Poetry Beyond the Metaphysics of 'Projective Saying'

   Digital Poetry Beyond the Metaphysics of 'Projective Saying'

   Eric Dean Rasmussen - 23.03.2011 - 14:01

2. Bearing the Fruits of E-­Poetry: A Personal Decennial View

   Bearing the Fruits of E-­Poetry: A Personal Decennial View

   Scott Rettberg - 20.05.2011 - 13:35

3. The Present of the Word: Poetry's Coming Digital Presence (on the occasion of the 20th anniversary of the Poetics Program)

   The Present of the Word: Poetry's Coming Digital Presence (on the occasion of the 20th anniversary of the Poetics Program)

   Scott Rettberg - 21.05.2011 - 09:42

4. Screening the Page/Paging the Screen: Digital Poetics and the Differential Text

   Screening the Page/Paging the Screen: Digital Poetics and the Differential Text

   Eric Dean Rasmussen - 30.05.2011 - 14:33

5. Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry

   Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry

   Eric Dean Rasmussen - 30.05.2011 - 15:53

6. From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research

   From the Page to the Screen to Augmented Reality: New Modes of Language-Driven Technology Mediated Research

   Scott Rettberg - 17.06.2011 - 12:04

7. Programmed digital poetry: a poetry of the apparatus; media art?

   Programmed digital poetry: a poetry of the apparatus; media art?

   Eric Dean Rasmussen - 30.08.2011 - 10:50

8. New Media Poetry and Poetics

   LEA leaps into yet another bold foray, this time revolving around the world of new media poetics. Bursting at the cyber-seams, a spiffy collection of essays by myriad authors await. The proud guest editor of this edition in Tim Peterson and he’s woven together a marvelous mix of nine essays, and curated an equally exciting gallery showcasing four illuminating artist works. (Source: LEA)

   Eric Dean Rasmussen - 02.09.2011 - 10:30

9. Computer Poems

   "In his preface to the anthology Computer Poems (1973), Richard Bailey identifies four poetic tendencies that influenced the works included in the collection: "concrete poetry," "poetry of sound in verbal orchestrations," "imagistic poetry in the juxtaposition of the unfamiliar," and "haiku" (n.pag.). The poems in the anthology reasonably support his (somewhat) dated viewpoint, but there is a correspondence between poetry and digital poetry."
   (Source: Chris Funkhouser in Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades)

   Elisabeth Nesheim - 03.02.2012 - 15:57

10. Literal Art

    John Cayley dadas up the digital, revealing similarities of type across two normally separate, unequal categories: image and text. "Neither lines nor pixels but letters," finally, unite.

    (Source: ebr First Person thread page)

    Eric Dean Rasmussen - 15.02.2012 - 13:15

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