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1. PO.EX '70-­80: The Electronic Multimodal Repository

   Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.

   Scott Rettberg - 20.05.2011 - 13:28

2. Portuguese E-Lit Archive

   Portuguese E-Lit Archive

   Eric Dean Rasmussen - 19.08.2011 - 14:07

3. The Routledge Companion to Experimental Literature

   The Routledge Companion to Experimental Literature

   Eric Dean Rasmussen - 09.05.2012 - 08:25

4. Arquivos Digitais e Literatura Experimental: Pressupostos e Constrangimentos

   Arquivos Digitais e Literatura Experimental: Pressupostos e Constrangimentos

   Alvaro Seica - 28.11.2013 - 13:03

5. Portuguese Experimental Poetry: Revisited and Recreated

   Portuguese Experimental Poetry, claiming to be an avant-garde movement, arose in Lisbon in the mid 60’s. It got its name from the title of a magazine, Cadernos de Poesia Experimental, which became the herald of the movement. Two issues were published, the first in 1964 and the second in 1966, organized by António Aragão and Herberto Hélder. The first issue was presented as anthological, since it included texts not only of Portuguese poets and musicians but also Brazilian, French, Italian and English artists. It also had a section which included poets of several epochs and tendencies, such as Luis de Camões or Quirinus Kuhlmann, representing respectively the mannerist and baroque aesthetics of European poetry.

   (Source: Author's Introduction)

   Alvaro Seica - 02.12.2013 - 15:14

6. A Renovação do Experimentalismo Literário na Literatura Gerada por Computador

   Uma vez fundado o Centro de Estudos sobre Texto Informático e Ciberliteratura na Universidade Fernando Pessoa, unidade de investigação transdisciplinar que se propõe desenvolver não apenas uma reflexão teórica mas também uma prática criativa assente nas novas modalidades de texto nascidas com o advento da informática e das novas tecnologias digitais - com particular destaque para o texto automático, o texto dinâmico e o hipertexto - será oportuno explorar aqui uma delimitação definitória destes conceitos no seu âmbito de aplicação.

   (Fonte: Introdução do Autor)

   Alvaro Seica - 06.12.2013 - 15:02

7. Nick Montfort’s World Clock and its Polish translation Zegar światowy – a case study

   The poster is a visual presentation of the experiment that was the translation from English into Polish of the Nick Montfort computer generated novel World Clock (2013) and its subsequent publication and distribution in print in Poland (Zegar światowy, 2014). The poster is composed of two distinct parts. The first part is devoted to the in-depth description of the problem of translating a generator, focusing on the challenges connected with the language transfer of programmed narrative work, as well as chosen issues connected with the publication process. The second part covers what occurred after the publication of the book and presents the conclusions of the analysis of the reception of the work.Zegar światowy was the first computer generated novel published as a book in Poland, thus it gained interest of some media and critics, who usually do not discuss experimental works.

   Piotr Marecki - 27.04.2018 - 10:56

8. ​Labs for the Digital Humanities

   Presentation by Piotr Marecki of UBU lab at Jagellionian University, discussion of different lab models for e-lit and digital culture.

   Piotr Marecki - 27.04.2018 - 11:01

9. The Road to Assland and early Polish Text Adventure Games

   The Road to Assland and early Polish Text Adventure Games

   Piotr Marecki - 27.04.2018 - 11:35

10. The Freedom Adventure of Portuguese Experimentalism and Kinetic Poetry

    The Freedom Adventure of Portuguese Experimentalism and Kinetic Poetry

    Ana Castello - 27.04.2018 - 14:25