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1. Inappropriate Format][ing][: Craft-Orientation vs. Networked Content[s]

   Inappropriate Format][ing][: Craft-Orientation vs. Networked Content[s]

   Jill Walker Rettberg - 16.11.2011 - 12:24

2. text, time, typography

   This issue of Poems that Go features work which continues in the tradition of typographical experimentation--this time on the Web.

   (Source: journal introduction)

   Meri Alexandra Raita - 20.03.2012 - 15:04

3. Reading Hypertext: Reading Blue Hyacinth

   Reading Hypertext: Reading Blue Hyacinth

   Patricia Tomaszek - 04.05.2012 - 13:54

4. Video Games and Configurative Performances

   Video Games and Configurative Performances

   Stig Andreassen - 07.09.2012 - 01:37

5. Poesia Eletrônica no Brasil: Alguns Exemplos

   Este artigo é um breve estudo sobre a poesia eletrônica no Brasil, sob enfoque histórico e num percurso a partir do uso das tecnologias do século XX e XXI (rádio, cinema, vídeo, computador, internet, web) que vem produzindo uma poesia que reúne palavra, imágem (estática e/ou animada) e som nos meios eletrônico-digitais (videopoesia, holopoesia, poesia eletrônica) usando a interface, a interatividade, a hipertextualidade e a hipermídia.

   (Source: Author's Abstract)

   Luciana Gattass - 08.11.2012 - 15:15

6. Hypertextes: espaces virtuels de lecture et d’écriture

   Hypertextes: espaces virtuels de lecture et d’écriture

   Scott Rettberg - 28.06.2013 - 20:13

7. Making the Vniverse

   An essay by the authors of V: Vniverse on the making of the project.

   Scott Rettberg - 07.07.2013 - 21:47

8. Augmenting Human Intellect. A Conceptual Framework.

   Augmenting Human Intellect. A Conceptual Framework.

   Scott Rettberg - 08.07.2013 - 15:45

9. The Coding and Execution of the Author

   One seldom-discussed cybertextual typology is offered by Espen Aarseth in chapter 6 of Cybertext, "The Cyborg Author: Problems of Automated Poetics." As someone who writes using computers—and who writes entire works whose course is influenced by this use of computers—this neglected topic in cybertextual studies seems to demand my attention not only as theorist and a critic but as an author. Am I crediting my computer properly when I attribute the authorship of works that my computer helped to create? Should I give myself and my computer a "cyborg name" (like a "DJ name") for just this purpose? When I write or use a new program, or replace my computer with a faster one, am I a new cyborg and thus a different author? Should my computer have a say in the publishing and promotion of works that we authored together? And should other important and inspirational mechanisms—my CD player, for instance, and my bookshelves—get cut in on the action as well?

   Scott Rettberg - 08.07.2013 - 16:19

10. E-Poetry: Time and Language Changes

    E-Poetry: Time and Language Changes

    Scott Rettberg - 10.07.2013 - 14:38

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