Search

The search found 17 results in 0.009 seconds.

Search results

1. Dali Clocks: Time Dimensions of Hypermedia

   Stephanie Strickland investigates an epistemological shift in web-specific art and literature, from an understanding that is less about structure and more about resonance. (Source: ebr) Artists discussed include: Tom Brigham, Jim Rosenberg, Mary Anne Breeze (mez), Noah Wardrip-Fruin, Lisa Jevbratt, and Edardo Kac.

   Eric Dean Rasmussen - 08.07.2011 - 11:43

2. Wreader's Digest - How To Appreciate Hyperfiction

   Compared to its age - or youth - hyperfiction is a rather well-theorized genre. Hyperfiction-criticism either praises its subject as evolved print-text and better realization of contemporary literary theory - or deplore its - allegedly - low literary quality. What is missing, however, are in-depth readings of digital fiction that deemphasize theory and try to appreciate this new genre for what it has to offer.

   In this "paper", I will read two hyperfictions that are not among the two or three canonized texts that are relatively well-known and often-quoted. Both John McDaid's Uncle Buddy's Phantom Funhouse and Sarah Smith's King of Space deal with central issues of hypertext-theory - in content as well as formally. They are about agency and sense-making, ironically deconstructing mainstream theory's claims that digital, hyperlinked texts activate readers into a de-facto author-position. They are also representations of contemporary life that may be difficult to read at first but also make strangely adequate and enjoyable texts for today's readers. (Source: abstract in journal)

   Jill Walker Rettberg - 16.11.2011 - 12:01

3. Cauldron & Net, Volume 3

   Cauldron & Net, Volume 3

   Scott Rettberg - 03.02.2012 - 15:50

4. Cybertext Theory: What an English Professor Should Know Before Trying

   Cybertext Theory: What an English Professor Should Know Before Trying

   Eric Dean Rasmussen - 10.05.2012 - 16:32

5. Computer Game Studies, Year One

   Computer Game Studies, Year One

   Stig Andreassen - 07.09.2012 - 01:27

6. Interpoetry: a game of words, images and sounds as a poetic sign in digital media

   This paper treats about the hypertextuality and interactivity of Philadelpho Menezes and Wilton Azevedo’s cd-rom Interpoesia (Interpoetry). By describing the procedures of poetic construction, it is analyzed the poetic sign as a game of words, images and sounds in digital environment. The prefix inter plays an important role in the cd-rom project not only as a new term for digital poetry, but also as a cultural and technological product that intends to replace the book.

   Luciana Gattass - 17.10.2012 - 16:38

7. From (Command) Line to (Iconic) Constellation

   From (Command) Line to (Iconic) Constellation

   Scott Rettberg - 30.01.2013 - 14:02

8. Interactive Technology and the Remediation of the Subject of Writing

   Interactive Technology and the Remediation of the Subject of Writing

   Scott Rettberg - 25.06.2013 - 13:59

9. Reader/Readers

   The paper will present a percepto-cognitive theory of e-poetry. This theory uses a non-ontologic approach of literature in which the concept of "text" cannot be defined independendly from the mind representation for the system. This conception, named "theorie du texte lié à une profondeur" (theory of text linked to a deep) will be present. In this theory, the main concepts are the mind representation of the system, named the "profondeur de dispositif" (system-deep), and the set of elements which can be perceived as a classical text. This set is named the "texte-à-voir" (text-to-be-seen). The system-deep which seems to govern the real behaviour of the system in e-literature is named the procedural archetype. The paper will present the main caracteristic features of it, specially the particular position of the reader. The most important features relative to the reading are the "double reading" and the "aesthetics of frustration": to construct the sense of a work, the reader "has to read his reading", even if the work is non-interactive. This particularity is named "double reading".

   Patricia Tomaszek - 28.10.2013 - 14:22

10. O Motor Textual: Livro Electrónico Infinito

    O Motor Textual: Livro Electrónico Infinito

    Alvaro Seica - 03.12.2013 - 10:25

Pages