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1. Reading Time: For a Poetics of Hypermedia Writing

   Reading Time: For a Poetics of Hypermedia Writing

   Eric Dean Rasmussen - 11.05.2011 - 12:05

2. Hyperlinking in 3D Interactive, Multimedia Performances

   Dene Grigar discusses ways in which hyperlinks are utilized in three-dimensional multimedia performance works that offer a narrative or poetic focus. In the new spaces of three-dimensional performance environments, hyperlinking can be incorporated as a performative element into the work and therefore always makes a purposeful act necessary for the performance to unfold. Grigar argues that hyperlinking may denote a change of scene, the progression of a poem’s instantiation or the evocation of musical notes comprising a composition.

   (Source: Beyond the Screen, introduction by Jörgen Schäfer and Peter Gendolla)

   Scott Rettberg - 23.05.2011 - 15:36

3. Encapsulating E-Poetry 2009: Some Views on Contemporary Digital Poetry

   Digital poet and researcher Chris Funkhouser attends E-Poetry 2009 in Barcelona and files a report on what he heard and saw.

   Patricia Tomaszek - 25.05.2011 - 16:31

4. Voice of the poet programmer Jörg Piringer

   Voice of the poet programmer Jörg Piringer

   J. R. Carpenter - 25.11.2011 - 13:30

5. Paradoxical Print Publishers TRAUMAWIEN

   Paradoxical Print Publishers TRAUMAWIEN

   J. R. Carpenter - 25.11.2011 - 14:02

6. Performance as a Categoriser

   Performance as a Categoriser

   David Prater - 03.05.2012 - 12:57

7. Huis Clos / No Exit

   A work-in-progress presentation of a performance project. Abraham's describes a scripted telematic performance in which constraints and interface limitations fme the performance. She describes her work as performance to do research, and research as a medium and playground. Always an exercise in self-organization--the performances are not directed. The performance is a multilingual one about communication, miscommunication, and translation.

   Scott Rettberg - 04.05.2012 - 12:44

8. Literary Programming (In the Age of Digital Transliteration)

   This paper is proposed as the second part of an essay, the first part of which was presented at DAC'98, having the overall title 'Performances of Writing in the Age of Digital Transliteration'. Part one of this essay raised questions -- contextualized by reference to Walter Benjamin and Friedrich Kittler, amongst others -- concerning the intrinsically digital characteristics of text, along with certain implications of these characteristics (and what they have entailed, specifically and especially: the Net) for traditional literary culture, for the latter's critique, and for textual, especially artistic textual practices.

   Scott Rettberg - 19.01.2013 - 01:23

9. Dramaturgy and the Digital

   a look at new dramaturgical strategies prompted by digital practice.

   J. R. Carpenter - 11.03.2013 - 19:15

10. The Print Map as a ‘literary platform’

    J.R. Carpenter describes creating and distributing The Broadside of a Yarn, a hybrid print-digital art-literature project commissioned by Electronic Literature as a Model for Creativity and Innovation in Practice (ELMCIP) for Remediating the Social, an exhibition which took place at Inspace, Edinburgh, UK, 1-17 November 2012.

    J. R. Carpenter - 22.05.2013 - 13:43

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