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1. Toward an Ontology of the Field of Digital Poetry

   author-submitted abstract:

   This essay proposes a model of an ontology based on the ontological model by Spinoza commented by Deleuze. It aims at establishing properties of a tool for indexing documents related to the field of digital poetry. It is build in three stages.

   In a first stage, we build a normalised graphical representation of the Spinoza’s model. We show that this philosophical model can easily be schematised in a combination between a relation/entity model and an set representation with internal graphical lows. These graphics are normalised because each part of them has a unique and constant significant. So, such graphics can be used to make graphical treatment of information in relationship with databases.

   Figure 1 : schema of an individual

   Eric Dean Rasmussen - 27.01.2011 - 15:29

2. Intertextuality in Digital Poetry

   Despite postmodern and deconstructivist studies in the field, interxtuality is still often viewed as a process of textual closure: in that vision a text refers to an older text, and once we have found the source, the intertextual interpretation is completed.

   Riffatterre, for example, seems to suggest this in his article ‘Intertextuality vs Hypertextuality’ (1994). Riffaterre stated here that intertextuality and hypertextuality should be distinguished, since the former is finite, while the latter is infinite. He defines hypertextuality as ‘the use of the computer to transcend the linearity of the written text by building an endless series of imagined connections, from verbal associations to possible worlds, extending the glosses or the marginalia from the footnotes of yesteryear to metatexts’ (Riffaterre 1994: 780) Intertextuality, on the other hand, ‘depends on a system of difficulties to be reckoned with, of limitations in our freedom of choice, of exclusions, since it is by renouncing incompatible associations within the text that we come to identify in the intertext their compatible counterparts’ (ibid: 781).

   Eric Dean Rasmussen - 27.01.2011 - 17:01

3. On Condenstaion: how "Computer Aided Poetry" works

   "Cloud Computing" is a rather foggy notion, according to which the World Wide Web will be increasingly seen as a platform where not only information, but also different kinds of services and applications will become immediately available, as if coming out of an undifferentiated, nebular space. People will rely less on the software installed on their personal computers, and more on whatever is usable online.

   Audun Andreassen - 10.04.2013 - 12:58

4. Une “poésie numérique”? Khlebnikov et Jakobson, Marinetti, Schwitters, Kostelanetz

   Quelques protagonistes des avant-gardes historiques montrèrent de l’intérêt pour une poésie exclusivement faite de nombres.
   

   Rebecca Lundal - 17.10.2013 - 17:58

5. Rui Torres’ Cantiga in class – digital poetry in Portuguese schools

   Although the most recent curricular documents issued by the Portuguese Ministry of Education (ME, 2017; ME, 2018) recommend students to read multimodal texts, there is still a print-based culture among Portuguese schools and among language and literature teachers. As part of the project “Inanimate Alice: Translating Electronic Literature for an Educational Context”, held at the Centre for Portuguese Literature – University of Coimbra, we have already conducted some experiments with digital narrative in Portugal (Machado et alii, 2018), which we hope to be extended by the inclusion of Alice Inanimada (the Portuguese version of Inanimate Alice) in the National Reading Plan in 2018, as Ana Maria Machado, the project coordinator, presented at the ELO Conference 2018. However, we do not have available data concerning teaching digital poetry to children and teenagers in our country, which led me to include Cantiga in the corpus for the empirical research I am conducting for my doctoral thesis in Materialities of Literature.

   Vian Rasheed - 11.11.2019 - 22:34

6. ‘Lost water! Remains Scape?’: Transformation Waterscapes in Coimbatore from past to present through digital poetry

   ‘Lost water! Remains Scape?’: Transformation Waterscapes in Coimbatore from past to present through digital poetry

   Milosz Waskiewicz - 25.05.2021 - 14:51