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1. For Thee: A Response to Alice Bell

   In an essay that responds to Alice Bell's book The Possible Worlds of Hypertext Fiction (Palgrave Macmillan, 2010), Stuart Moulthrop uses the lessons of hypertext as both an analogy and an explanation for why hypertext and its criticism will stay in a "niche" - and why, despite Bell's concern, that's not such a bad thing. As the response of an author to his critic, addressed to "thee," "implicitly dragging her into the niche with me," this review also dramatizes the very productivity of such specialized, nodal encounters.

   Eric Dean Rasmussen - 03.02.2011 - 11:01

2. Framed: The Machine in/as the Garden

   Deploying what he has dubbed "the ecological thought," Timothy Morton offers a critical reading of Roderick Coover's online cinemascapes Canyonlands: Edward Abbey and the Defense of Wilderness. In the video's stark modernist form, Morton writes, "the hydroelectric engine of human progress still hums." What's needed now, he suggests, is a "Goth remix."

   (source: http://electronicbookreview.com/thread/criticalecologies/flooded)

   Eric Dean Rasmussen - 18.02.2011 - 22:07

3. Riposte to "A [S]creed for Digital Fiction"

   Kate Pullinger thinks the Digital Fiction International Network is too hasty in dismissing e-books as "paper-under-glass texts."

   Eric Dean Rasmussen - 18.02.2011 - 22:33

4. Phantasmal Fictions

   from ebr Electronic Book Review: D. Fox Harrell considers how a media theory of the "phantasmal" - mental image and ideological construction - can be used to cover gaps within electronic literary practice and criticism. His perspective is shaped by cognitive semantics and the approach to meaning-making known as "conceptual blending theory."

   Eric Dean Rasmussen - 22.02.2011 - 17:57

5. Understanding New Media Art Through Close Reading. Four Remarks on Digital Hermeneutics

   With the increasing importance of digital media in all areas of social and cultural life, it is necessary to define a conceptual framework for understanding the social changes it generates. This implies to introduce students and readers to the new methods of critically interacting with media in digital culture. Conference presentations and publications develop the theoretical background and methods needed in scholarship and education to approach the new topics. At various universities, scholars discuss the consequences of such developments under the umbrella terms of digital literacy, digital humanities, or “electracy.” Nevertheless, scholars also must concentrate on the aesthetic aspects of digital media, investigating in new artistic genres emerging from or changes in existing genres brought about by digital media.

   Patricia Tomaszek - 06.05.2011 - 14:31

6. The Monstrous Book and the Manufactured Body in the Late Age of Print

   The Monstrous Book and the Manufactured Body in the Late Age of Print: Material Strategies for Innovative Fiction in Shelley Jackson’s Patchwork Girl and Steve Tomasula’s VAS: An Opera in Flatland 

   Patricia Tomaszek - 06.05.2011 - 14:51

7. L’escriptura literària en l’era digital

   L’escriptura literària en l’era digital

   Sandra Hurtado - 01.12.2011 - 15:40

8. Poesia luso-brasileira contemporânea: do verbo ao pixel

   This article intends to reflect upon the place of poetry in the teaching of literature and the formation of the reader, considering the recurrent metaphors and images in the interfaces of the
   discourse of the hypermedia, among the languages provided by the Technology of Information and Communication (TIC) in contemporary society. It aims to demonstrate the possible experiences of reading and aesthetic appreciation which offers to the user/reader for the exercise of creativity and autonomy in the construction of collective intelligence. In order to do so, it focuses on the production of the Luso-Brazilian literature in hypermedia with emphasis on the remarkable presence of the Portuguese experimental poetry in the construction of digital poetry and the Brazilian cyberliterature in present time.

   (Source: Author's Abstract)

   Rui Torres - 04.12.2011 - 17:52

9. Shelley Jackson : femme-machine. L’imaginaire cyborg de Patchwork Girl (1995) et My Body & A Wunderkammer (1997)

   Shelley Jackson : femme-machine. L’imaginaire cyborg de Patchwork Girl (1995) et My Body & A Wunderkammer (1997)

   Arnaud Regnauld - 05.03.2012 - 14:59

10. Formen digitaler Literatur 2.0

    0. Einleitung
    1.1-2. Hypertexte: Merkmale und Theorie; der Link
    1.3. Vorläufer des digitalen Hypertexts
    1.4. Beispiel 1: Michael Joyce: afternoon, a story (1987)
    1.5. Beispiel 2: Shelly Jackson: Patchwork Girl (1995)
    1.6-9. Beispiele 3-5, Hyperpoetry
    2.1. Multimediale Dichtung: Visuelle und kinetische Poesie; Vorläufer
    2.2. Beispiele digitaler visueller Poesie; Stuttgarter Gruppe
    2.3. Bewegte Lettern, dreidimensionale Texte, multimediale Datenwerke
    2.4. Lautpoesie und Text-Musik-Kombinationen
    3.1. Dichtungsgeneratoren: Permutative Generatoren
    3.2. Fortgeschrittene Textgeneratoren
    4. Literarische Computerspiele
    5. Program Code Poetry
    6. Resümee
    Bibliographie

    Johannes Auer - 22.11.2012 - 16:27

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