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1. A Literatura Cibernética 1

   Pedro Barbosa’s pioneering work introduced computer-generated literature (CGL) in Portugal in 1975. Having worked with Abraham A. Moles at the University of Strasbourg, Barbosa published three theoretical-practical volumes of his programming experiences with the FORTRAN and BASIC languages. These volumes deal with combinatorics and randomness, developing algorithms able to ally computing and literary production, bearing in mind a perspective of computational text theory. (Source: Author's text)

   Alvaro Seica - 08.04.2015 - 19:41

2. Aesthetic Animism: Digital Poetry's Ontological Implications

   This book offers a decoder for some of the new forms of poetry enabled by digital technology. Examining many of the strange technological vectors converging on language, it proposes a poetics appropriate to the digital era while connecting digital poetry to traditional poetry’s concerns with being (a.k.a. ontological implications). Digital poetry, in this context, is not simply a descendent of the book. Digital poems are not necessarily “poems” or written by “poets”; they are found in ads, conceptual art, interactive displays, performative projects, games, or apps. Poetic tools include algorithms, browsers, social media, and data. Code blossoms into poetic objects and poetic proto-organisms. Introducing the terms TAVs (Textual-Audio-Visuals) and TAVITS (Textual-Audio-Visual-Interactive), Aesthetic Animism theorizes a relation between scientific method and literary analysis; considers the temporal implications of animation software; and links software studies to creative writing. Above all it introduces many examples of digital poetry within a playful yet considered flexible taxonomy.

   Alvaro Seica - 22.09.2016 - 15:10

3. Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart

   Klaus Peter Dencker, visual poet, Germanist and media theorist, documents the spectrum of forms of optical poetry from its pre-historic beginnings up to the present digital age. The compendium provides a typology of optical poetry, an international historical overview with many illustrations and several chronological tables together with indexes of subjects and names providing access to the comprehensive apparatus of notes. (Source: https://www.degruyter.com/view/product/176646)

   Alvaro Seica - 10.02.2017 - 12:41

4. Word Toys

   With the ascent of digital culture, new forms of literature and literary production are thriving that include multimedia, networked, conceptual, and other as-yet-unnamed genres while traditional genres and media—the lyric, the novel, the book—have been transformed. Word Toys: Poetry and Technics is an engaging and thought-provoking volume that speculates on a range of poetic, novelistic, and programmed works that lie beyond the language of the literary and which views them instead as technical objects.
    
   Brian Kim Stefans considers the problems that arise when discussing these progressive texts in relation to more traditional print-based poetic texts. He questions the influence of game theory and digital humanities rhetoric on poetic production, and how non-digital works, such as contemporary works of lyric poetry, are influenced by the recent ubiquity of social media, the power of search engines, and the public perceptions of language in a time of nearly universal surveillance.
    

   Ana Castello - 02.10.2018 - 19:22

5. Novissima verba: huellas digitales / electrónicas / cibernéticas en la poesía latinoamericana

   Luis Correa-Díaz se pregunta en esta serie de ensayos si la literatura electrónica está o no hoy por alcanzar esa velocidad de escape de la fuerza gravitacional de la literatura tradicional. ¿Cómo se negocia en esta época el valor literario, el estatus de lo escrito, la desaparición o permanencia del libro en esta etapa de transición y adaptación literaria?
   Pareciera haber en español una escasez de discursos críticos e iniciativas de estudio que den cuenta de estas significativas mutaciones culturales. De allí la especial importancia de este libro que se presenta de referencia obligada, especialmente para los estudios de obras iberoamericanas, en los que se centra esta publicación.

   (Source: Belén Gache, Publisher's website)

   Alvaro Seica - 25.08.2020 - 10:58

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