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1. (Ghosts of) Generative Literature in Italy Between Past, Present and Future

   In 2006 Tommaso Lisa stated that since Nanni Balestrini’s Tape Mark I, not
   much has been done much to elaborate creative synergies between poetry and
   computer in Italy. In fact, the absence of Italy - homeland of Calvino, Marinetti
   and Toti - from major anthologies, collections, and exhibitions in the field of e-lit
   confirms such a bitter statement. But it is still the case? What is the current state
   of Italian electronic literature? What should be the reasons for its absence on the
   international scene? What actions are being made and what still could be made
   to spread electronic literature in Italy?

   Roberta Iadevaia - 20.11.2017 - 10:37

2. Source Code: Linguistic, Literary, and Cultural Meaning-Making in Generative Literature

   I consider the role of the source code of generative literature in the process of meaning making. The significance of code in the cultural meaning of generative works means the source code becomes a key factor to explore in literary studies. I use Critical Code Studies (Marino) which rejects the practice of only analyzing the output of electronic literature and instead proposes to look at code from a humanities perspective as an integral part of coded literature. To specify this emerging field specifically for generative literature, I propose a distinction between three levels on which the code is involved in the meaning-making process of generative literature: the linguistic level, the literary level. and the cultural level. On the linguistic level, I draw from structuralism, using Jakobson's notions of selection and combination as outlined in "Two aspects of language and two types of aphasic disturbances". Generative literature shows the meaning of language explicitly via selection and combination of linguistic units, and adds to this process a literary meaning employing the process of chiasm and overwriting.

   Hannah Ackermans - 28.11.2018 - 11:33