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1. Read The Sonnet Co-Authored By Shakespeare, An MIT PhD Student & A Machine-Learning Algorithm

   Journalistic essay about Nathan Matias' Swift-Speare project, where he uses machine-learning and word-prediction to generate sonnets in the style of Shakespeare. The essay is notable for its publication on an extremely popular website.

   Jill Walker Rettberg - 27.01.2014 - 16:44

2. The ELMCIP Electronic Literature Knowledge Base: A Review

   Electronic Literature as a Model of Creativity and Innovation in Practice (ELMCIP) is a research project (2010-2013) that gathered several European academic partners from Norway, Sweden, Finland, the Netherlands, Scotland, England, Slovenia, and a non-academic institution, New Media Scotland. Funded by the HERA Joint Research Programme and by the Socio-economic Sciences and Humanities Programme from the European Commission, the project is led by Scott Rettberg (University of Bergen, Norway). In addition to conferences, exhibitions, workshops, seminars, anthologies (e.g. European Electronic Literature), videos and numerous publication, the project’s main outcome was the development of the ELMCIP Knowledge Base (http://elmcip.net).

   Alvaro Seica - 14.02.2014 - 10:57

3. The PO.EX Digital Archive of Portuguese Experimental Literature: A Review

   PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

   (Source: Author's Abstract)

   Alvaro Seica - 19.03.2014 - 12:25

4. O PO.EX, Arquivo Digital da Literatura Experimental Portuguesa: Uma Recensão

   PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

   Alvaro Seica - 26.03.2014 - 15:00

5. From the Digital to the Bookbound

   Dear Reader: How are you reading these words? On which device? Through which interface? Can you read the source code of this web ‘page’? Can you re-write it? Why does it matter? We have machines for that, we have apps! In Reading Writing Interfaces: From the Digital to the Bookbound Lori Emerson sets out to demystify the wondrous devices of our digital age by interrogating both the limits and the creative possibilities of a wide range of reading and writing interfaces. For Emerson, interface is an open-ended term – a threshold, a point of interaction between human and hardware, between hardware and software, between reader and writer, and between human-authored writing and the vast corpus of machine-based text relentlessly reading and writing itself behind the surface of the screen.

   J. R. Carpenter - 09.08.2014 - 16:06

6. Review: Reading Writing Interfaces: From the Digital to the Bookbound

   Review of Emerson's Reading Writing Interfaces, including video doucmentation of referenced works.

   Scott Rettberg - 23.08.2014 - 09:26

7. Reading Writing Interfaces by Lori Emerson

   Lori Emerson's Reading Writing Interfaces is a media archeology of the interface. A critique of the "invisible" interface, the "magic" of iOS that "just works," Emerson analyzes how interfaces promote or occlude human agency in computational environments. Anti-telelogical in order to interrupt the "triumphalist" narratives of progress that can characterize much writing about media, Reading Writing Interfaces stages its four chapters and postscript ("The Googlization of Literature") as "ruptures" to emphasize failure as a key element of media development.

   Kathi Inman Berens - 19.09.2014 - 16:49