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1. Reading Network Fiction

   David Ciccoricco establishes the category of "network fiction" as distinguishable from other forms of hypertext and cybertext: network fictions are narrative texts in digitally networked environments that make use of hypertext technology in order to create emergent and recombinant narratives. Though they both pre-date and post-date the World Wide Web, they share with it an aesthetic drive that exploits the networking potential of digital composition and foregrounds notions of narrative recurrence and return.

    

   Eric Dean Rasmussen - 18.02.2011 - 20:31

2. Digital Modernism: Making it New in New Media

   What happens to literature, the literary, and the cultural value of both when text moves from page to screen? What can these shifts teach us about the traditions, practices, and discourses that shape the ways in which we read, study, and engage with print and electronic literature? Digital Modernism reads digital literature within a modernist tradition of making it new, a history that is both experimental and canonical. Across literary genres and programming platforms, I examine a shared strategy in some of the most innovative works of electronic literature online. These works adopt, adapt, and allude to the seminal aesthetic practices, principles, and texts of literary modernism. Digital Modernism analyzes these consciously crafted ties to modernism as part of a larger strategy and cultural situation. These works challenge common assumptions about digital literature, such as associations with hypertext and expectations of reader-controlled interactivity. They use modernism to construct immanent critiques about a culture that privileges images, navigation, and interactivity over narrative, reading, and textuality.

   Scott Rettberg - 07.01.2013 - 23:18

3. Blogging

   Blogging

   Jill Walker Rettberg - 18.06.2013 - 12:22

4. Blogging

   Thoroughly revised and updated, this new edition of Blogging provides an accessible study of a now everyday phenomenon and places it in a historical, theoretical and contemporary context. The second edition takes into account the most recent research and developments and provides current analyses of new tools for microblogging and visual blogging. Jill Walker Rettberg discusses the ways blogs are integrated into today’s mainstream social media ecology, where comments and links from Twitter and Facebook may be more important than the network between blogs that was significant five years ago, and questions the shift towards increased commercialization and corporate control of blogs. The new edition also analyses how smart phones with cameras and social media have led a shift towards more visual emphasis in blogs, with photographs and graphics increasingly foregrounded. Authored by a scholar-blogger, this engaging book is packed with examples that show how blogging and related genres are changing media and communication.

   Jill Walker Rettberg - 02.07.2013 - 14:35

5. Geomediale Fiktionen: Map Mashups – zur Renaissance der literarischen Kartographie in der digitalen Literatur

   Geomediale Fiktionen: Map Mashups – zur Renaissance der literarischen Kartographie in der digitalen Literatur

   Patricia Tomaszek - 06.07.2013 - 23:58

6. PO.EX: Essays from Portugal on Cyberliterature and Intermedia

   Po.Ex: Essays from Portugal on Cyberliterature and Intermedia is a crucial addition to the bookshelf for scholars and students of new media, digital literature, and experimental writing. Available for the first time in English, these essays are crucial primary texts of experimental literature. Po.Ex shows a long history of procedural composition and expressive intermedial writing, leading directly to the latest computer and network-based artworks. Collecting essays by Pedro Barbosa, Ana Hatherly, and E.M. de Melo e Castro, along with framing essays by the editors and extensive bibliographical materials, this book situates today’s digital and online texts in a rich tradition of European literature. New forms of writing appear in the encounter of literature and digital media, just as old forms are renewed. Po.Ex is an archive of the past, present, and future of cyberliterature and intermedia writing.

   Alvaro Seica - 27.08.2013 - 15:29

7. Memory Machines: The Evolution of Hypertext

   This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications. Barnet tells both the human and the technological story by weaving together contemporary literature and her exclusive interviews with those at the forefront of hypertext innovation, tracing its evolutionary roots back to the analogue machine imagined by Vannevar Bush in 1945.

   Jill Walker Rettberg - 30.08.2013 - 10:57

8. Alicia a través de la pantalla. Lecturas literarias en el siglo XXI

   Alicia a través de la pantalla. Lecturas literarias en el siglo XXI

   Maya Zalbidea - 10.03.2014 - 20:38

9. Reading Writing Interfaces: From the Digital to the Bookbound

   In Reading Writing Interfaces, Lori Emerson examines how interfaces—from today’s multitouch devices to yesterday’s desktops, from typewriters to Emily Dickinson’s self-bound fascicle volumes—mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.

   Table of Contents:

   Introduction

   Chapter 1: Indistinguishable From Magic | Invisible Interfaces and Digital Literature as Demystifier

   Chapter 2: From the Philosophy of the Open to the Ideology of the User-Friendly

   Chapter 3: Typewriter Concrete Poetry and Activist Media Poetics

   Chapter 4: The Fascicle as Process and Product

   Chapter 5: Postscript | The Googlization of Literature

   Works Cited

   Jill Walker Rettberg - 09.05.2014 - 02:11

10. Literary Gaming

    In this book, Astrid Ensslin examines literary videogames—hybrid digital artifacts that have elements of both games and literature, combining the ludic and the literary. These works can be considered verbal art in the broadest sense (in that language plays a significant part in their aesthetic appeal); they draw on game mechanics; and they are digital-born, dependent on a digital medium (unlike, for example, conventional books read on e-readers). They employ narrative, dramatic, and poetic techniques in order to explore the affordances and limitations of ludic structures and processes, and they are designed to make players reflect on conventional game characteristics. Ensslin approaches these hybrid works as a new form of experimental literary art that requires novel ways of playing and reading. She proposes a systematic method for analyzing literary-ludic (L-L) texts that takes into account the analytic concerns of both literary stylistics and ludology.

    Astrid Ensslin - 08.06.2014 - 16:57

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