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Conceptual art: a critical anthology
Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians.
Meri Alexandra Raita - 21.03.2012 - 18:21
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Hyperfiction: Hyperliterarisches Lesebuch: Internet und Literatur
Mit dieser Publikation wird erstmals in deutscher Sprache ein hyperliterarisches Lesebuch mit integrierter CD-ROM vorgelegt, das neben theoretischen Texten auch eine repräsentative Zusammenstellung hyperfiktionaler literarischer Texte enthält. Die CD-ROM enthält 24 ausgewählte Hyperfictions. Die 12 theoretischen Beiträge können in Printform wie auch elektronisch gelesen werden.
Jörgen Schäfer - 07.11.2012 - 17:21
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Cyberspace Textuality: Computer Technology and Literary Theory
Computers were once thought of as number-crunching machines; but for most of us it is their ability to create worlds and process words that have made them into a nearly indispensable part of life. As Jacques Leslie puts it, if computers are everywhere, it is because they have grown into "poetry machines." The term "cyberspace" captures the growing sense that beyond - or perhaps on - the computer screen lies a "New Frontier" both enticing and forbidding, a frontier awaiting exploration, promising discovery, threatening humanistic values, hatching new genres of discourse, and alerting our relation to the written word. The purpose of this book is to explore the concepts of text and the forms of textuality currently emerging from the creative chaos of electronic technologies.
Jill Walker Rettberg - 02.07.2013 - 13:04
