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  1. N. Katherine Hayles

    Katherine Hayles is Distinguished Professor of English and media studies at the University of California, Los Angeles. Her research interests concern topics related to literature and science in the 20th and 21st century; 20th and 21st century American fiction; electronic textuality, hypertext fiction and theory; science fiction; literary theory; and media theory. With degrees in both chemistry and English literature, Hayles is one of the foremost scholars of the relationship between literature and science in the late twentieth century. She is the author six books, including How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (1999), which won the Rene Wellek Prize for the Best Book in Literary Theory for 1998-1999; and Writing Machines (2001), which won the Suzanne Langer Award for Outstanding Scholarship. Her most recent book is Electronic Literature: New Horizons for the Literary (2007).

    Eric Dean Rasmussen - 31.01.2011 - 12:55

  2. Stephanie Strickland

    Stephanie Strickland’s 10 books of poetry include How the Universe Is Made: Poems New & Selected (2019) and Ringing the Changes (2020), a code-generated project for print based on the ancient art of tower bell-ringing. Other books include Dragon Logic and The Red Virgin: A Poem of Simone Weil.

    Strickland’s 12 collaborative digital works include slippingglimpse, a poem that maps text to Atlantic wave patterns; the Vniverse app for iPad, interactive companion to the print V : WaveTercets / Losing L’una; Sea and Spar Between, a poem generator paired with Duels—Duets, a companion generator reflecting on Sea and Spar’s composition and paired also with cut to fit the toolspun course, the Sea and Spar code glossed.

    Recent work includes Liberty Ring! (2020), interactive companion to Ringing the Changes; House of Trust, a generative poem in praise of free public libraries; and Hours of the Night, an MP4 PowerPoint poem probing age and sleep.

    Eric Dean Rasmussen - 31.01.2011 - 13:12

  3. Cynthia Lawson Jaramillo

    Also known as Cynthia Lawson.
    "Cynthia Lawson Jaramillo is a digital artist, technologist and educator. She is particularly interested in reconfigurations and representations of time and space through media. Her artwork has been internationally exhibited and performed, including at Giacobetti Paul Gallery, Exit Art and HERE Arts (NYC), UCLA Hammer Museum (LA), Point Éphémère (Paris) and the Museums of Modern Art in Bogotá and Medellín (Colombia). She recently self-published “Of and In Cities,” an academically framed art book about five of her photographic projects, and “Cross Urban,” which documents the first two years of an ongoing collaboration with Klaus Fruchtnis. Cynthia has a B.S. in Electrical Engineering from Universidad de los Andes (Bogotá) and a Masters in Interactive Telecommunications (ITP) from New York University. She is currently Assistant Professor of Integrated Design in the School of Design Strategies at Parsons The New School for Design and an active member of Madarts, an arts collective in Brooklyn, NY" (www.cynthia.lawson.com(

    Eric Dean Rasmussen - 31.01.2011 - 13:17

  4. Camille Utterback

    Camille Utterback

    Eric Dean Rasmussen - 31.01.2011 - 13:19

  5. Romy Achituv

    Romy Achituv is an experimental interdisciplinary artist whose work engages issues of representation, language, time, and memory. Underlying his practice is an ongoing interest in the language of visual representation and in dynamics of spectatorship and interaction. His projects often employ the language and formal attributes of his media to fabricate structural and visual metaphors. His work in new media has focused on digital expressions of time and space, experiments in nonlinear cinematic narrative, and the exploration of non‐linear linguistic structures. In recent years he has developed a particular interest in projects that explore the manifestation of digitally inspired paradigms in physical environments. Romy Achituv’s work has been widely exhibited and has been acquired by major international public and private collections. He is a member of the International Academy for Digital Arts and Sciences, and a founding member of ARTEAM Interdisciplinary Art, a non‐for‐profit art collective based in Israel.

    Eric Dean Rasmussen - 31.01.2011 - 13:31

  6. Katja Kwastek

    Dr. Katja Kwastek is an art historian and coordinator of research at the school of arts at Ludwig Maximilian University in Munich. She served as vice-director of the Ludwig Boltzmann Institute Media.Art.Research. in Linz (Austria), where she directed the research projects on interactive art until 2009. Prior to this, she worked as assistant professor at the art history department of the Ludwig Maximilian University in Munich and was a Visiting Scholar at the Rhode Island School of Design (Providence, RI). Her research focuses on contemporary and new media art, media theory and aesthetics. She has curated exhibition projects, lectured widely and published many books and essays, including Ohne Schnur. Art and Wireless Communication, Frankfurt (2004). She recently finished a book manuscript on the aesthetics of interaction in digital art.

    (Soruce: Transmediale.de)

    Eric Dean Rasmussen - 31.01.2011 - 15:42

  7. Alice Bell

    My research interests are digital literature, narrative theory and stylistics. My monograph, The Possible Worlds of Hypertext Fiction, develops and supplements Possible Worlds Theory for its application to hypertext fiction. The text includes analyses of four canonical hypertext fiction works and also offers a theoretical evaluation of Possible Worlds Theory. In my current work, I am developing a number of other narratological and literary linguistic frameworks for the analysis of digital fiction including cognitive poetic and unnatural narratological approaches. I am the principal investigator of the Digital Fiction International Network (funded by The Leverhulme Trust Jan 2009 - Jan 2010). The network provides an arena for a new generation of scholars to collaborate on integral theoretical and analytical issues within digital fiction research.

    Eric Dean Rasmussen - 01.02.2011 - 10:31

  8. Samuel Szoniecky

    Universite Paris-8, France

    Eric Dean Rasmussen - 01.02.2011 - 13:09

  9. Emilia Branny-Jankowska

    Wrote her PhD on cybertext in the Theory of Literature Department at Cracow University.

    Eric Dean Rasmussen - 02.02.2011 - 12:19

  10. Richard Holeton

    Richard Holeton is a writer, education consultant, and Assistant Vice Provost for Learning Environments, Emeritus, at Stanford University, following a 30-year career as an educator and academic technology leader. Previously he was Senior Director of Learning Environments, Office of the Vice Provost for Teaching and Learning; Director of Academic Computing Services, Stanford Libraries; and a Lecturer for 12 years in Stanford's English Department and writing program, helping pioneer digital and networked pedagogies and the design of technology-rich learning spaces. His scholarship includes articles, book chapters, and innovative college textbooks such as Composing Cyberspace: Identity, Community, and Knowledge in the Electronic Age (McGraw-Hill). Co-creator of the Learning Space Rating System (EDUCAUSE), he served six years as co-leader of the EDUCAUSE Learning Space Design Constituent Group and four years on the Board of Directors for the NMC (New Media Consortium). His creative work includes the critically-recognized hypertext novel Figurski at Findhorn on Acid (Eastgate Systems), widely exhibited electronic literature, and award-winning short stories.

    Eric Dean Rasmussen - 02.02.2011 - 14:20

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