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Paula Perissonotto
Artist and cultural producer Paula Perissinotto graduated in visual arts at FAAP. She holds a master’s degree in visual poetics from the School of Communication and Arts (ECA-USP) and a master’s in curatorial design and cultural practices in art and new media from MECAD-ESDI in Barcelona, Spain. Professor of Art and Technology for the visual arts program at Faculdade Santa Marcelina (FASM) in São Paulo. Since 1999, she has been involved with digital culture as an artist participating in events such as: ISEA International Society of Electronic Art 2002 in Nagoya, Japan, and ISEA, in Paris (2000). Selected by Fundação Vitae for the seminar on Experimental Digital Techniques in Multimedia and Internet held by Fundación Antorchas in Bariloche (2000). Paula has been on panels and given talks in Brazil and internationally.
(Source: Instituto Sergio Motta)
Luciana Gattass - 05.10.2012 - 09:52
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Ricardo Barreto
Graduated in philosophy at USP (1981) and art at Faculdade de Belas Artes de São Paulo (1980). In August 2000, together with Paula Perissinotto, he organized the 1st International Festival of Electronic Language (FILE) at the MIS in São Paulo. Barreto has been experimenting with different media since the 1980s. Much of his work at in the period was done as a member of the BWG group (Ricardo Barreto, Ricardo Godoy and Marina Woo). In the late 90s, in partnership with Paula Perissinotto, he stepped up his involvement with the Internet, as artist and producer of events: in 1998, he launched the web site www.satmundi.com and in 2000 organized the 1st International Festival of Electronic Language www.file.org.br, (both with Paula Perissinotto). His individual works include proposals for interactive CD-ROMs, virtual-reality and web-art works.
(Source: Instituto Sergio Motta)
Luciana Gattass - 05.10.2012 - 09:59
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Andreas Müller-Pohle
Andreas Müller-Pohle is a Berlin-based media artist and the publisher and editor of European Photography, the international art magazine for contemporary photography and new media. He studied Economics and Communications at the University of Hannover and the University of Göttingen. In 1986 he published Vilém Flusser‘s Die Schrift – Hat Schreiben Zukunft? (“Does Writing Have a Future?”) as the first electronic book on diskette. He is the founder and editor of the “Edition Flusser”, a ten-volume collection of Vilém Flusser’s philosophical writings, including the legendary Towards a Philosophy of Photography. In 2001 he was awarded the European Photography Prize of the Reind M. De Vries Foundation. From 1997 to 2004 he was visiting professor at the Higher Institute of Fine Arts in Antwerp, Belgium. Müller-Pohle has exhibited and worked on photography and media projects in Europe, America and Asia, the most recent being “The Danube River Project” and “Hong Kong Waters”.
Source: vita on author's webiste
Patricia Tomaszek - 09.10.2012 - 13:34
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Artur Matuk
Artur Matuck tem atuado, no Brasil, Estados Unidos, Canadá e Europa, como professor, pesquisador, escritor, artista plástico, diretor de vídeo, performer, produtor de eventos de telearte e mais recentemente como filósofo da comunicação contemporânea e organizador de simpósios internacionais. Desde 1977, tem apresentado conferências, oficinas, e projetos, nacional e internacionalmente, em tópicos diversos tais como Artes Mediáticas, Arte e Tecnologia, Telecomunicações e Artes, Televisão Interativa, Arte Performance, História da Arte, Arte Combinatória, Direitos Autorais, e Criação Textual Computacional. Em 1984, no Brasil, inicia carreira universitária, assumindo a disciplina de Multimídia e Intermídia no Departamento de Artes Plásticas na Escola de Comunicações e Artes da USP. Atualmente ministra disciplinas de Comunicação Digital no Departamento de Relações Públicas, Propaganda e Turismo também da ECA-USP. Atua ainda como professor-orientador nos programas de pós-graduação em Ciências da Comunicação e em Estética e História da Arte ambos da USP. Sua produção artística tem sido exibida nas Bienais de São Paulo em 1983, 1987, 1989, 1991 e 2002.
Luciana Gattass - 09.10.2012 - 16:39
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Pablo Gervás
Associate Professor (Profesor Titular de Universidad) at the Departamento de Ingeniería del Software e Inteligencia Artificial, Facultad de Informática, Universidad Complutense de Madrid. Directs the NIL research group and also of the Instituto de Tecnología del Conocimiento. Over the years, his research interests have shifted towards studying the role of narrative in human communication, with a view to applying it in human-computer interaction, and with an interest in understanding and modelling language.
Jill Walker Rettberg - 09.10.2012 - 21:26
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Marvin E. Hobson
Teaches at the Department of Learning Assistance, English, Indian River State College.
Jill Walker Rettberg - 09.10.2012 - 21:48
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George Legrady
Artist George Legrady is Professor of Interactive Media, with joint appointment in the Media Arts & Technology program and the department of Art, UC Santa Barbara. He has previously held fulltime appointments at the Merz Akademie, Institute for Visual Communication, Stuttgart, the Conceptual Design/Information Arts program, San Francisco State University, University of Southern California, and the University of Western Ontario. He received the Masters of Fine Arts degree from the San Francisco Art Institute. Source: author's website
Patricia Tomaszek - 11.10.2012 - 12:23
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Golan Levin
Levin develops artifacts and experiences which explore the expressive use of computation. His work focuses on the design of systems for the creation, manipulation and performance of simultaneous image and sound, as part of a more general inquiry into the formal language of interactivity, and of nonverbal communications protocols in cybernetic systems. Through performances, digital artifacts, and virtual environments, often created with a variety of collaborators, Levin applies creative twists to digital technologies that highlight our relationship with machines, make visible our ways of interacting with each other, and explore the intersection of abstract communication and interactivity. Levin has exhibited widely in Europe, America and Asia.
Sourse: author's vita
Patricia Tomaszek - 11.10.2012 - 12:34
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Erthos Albino de Souza
O mais radical dos poetas brasileiros, Erthos Albino de Souza tem o duplo mérito de, por um lado, dirigir uma das mais importantes revistas brasileiras de poesia de vanguarda (Código, editada em Salvador) e, de outro, ter desenvolvido técnicas de dessemantização de textos, por meio da introdução em seus corpos de taxas controladas de ruídos, de modo a fazer degenerar mensagens previamente construídas. Engenheiro de formação, ele aplicava modelos conceituais matemáticos ou físicos à construção ou desconstrução de textos. O poema gráfico Le Tombeau de Mallarmé é uma boa demonstração desse processo. O poeta elaborou um programa de distribuição de temperaturas e o aplicou a um fluido aquecido que corre no interior de uma tubulação. Esse programa permitia obter um desenho das diferentes temperaturas do fluido nas diversas secções da tubulação, mas como o poeta-engenheiro codificou o seu sistema gráfico de modo a que cada fase de temperaturas correspondesse a uma das letras do nome de Mallarmé, o resultado é um gráfico em que as letras se dispõem no espaço formando configurações que lembram imaginariamente o "túmulo" de Mallarmé.
Luciana Gattass - 14.10.2012 - 18:26
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Torbjørn Skårild
Torbjørn Skårild (b. 1964) studied at the Academy of Art in Trondheim and the Art Academy in Dusseldorf. Skårild has made two short films; All as Nothing at All (1994) - for which he received the Terje Vigen Award at the Norwegian Short Film Festival in Grimstad, and nominated for the Norwegian National Film Award Amanda for Best Short Film - and All in All (2003), which was awarded the Grand Prix at the Norwegian Short Film Festival in Grimstad 2003, and won the National Film Award Amanda for Best Short Film in 2003.
Jill Walker Rettberg - 15.10.2012 - 11:59
