Search

The search found 19 results in 1.406 seconds.

Search results

1. Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing

   Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing

   Eric Dean Rasmussen - 10.03.2011 - 13:58

2. The Present [Future] of Electronic Literature

   The Present [Future] of Electronic Literature

   Dene Grigar - 06.10.2011 - 07:00

3. Género y ciberespacio. Ciberfeminismo y cibercultura

   Género y ciberespacio. Ciberfeminismo y cibercultura

   Sandra Hurtado - 06.12.2011 - 11:40

4. Too Dimensional: Literary and Technical Images of Potentiality in the History of Hypertext

   Too Dimensional: Literary and Technical Images of Potentiality in the History of Hypertext

   Meri Alexandra Raita - 13.02.2012 - 19:19

5. Digitale Poesie

   Digitale Poesie

   Jörgen Schäfer - 17.02.2012 - 13:03

6. ‘Inept at reading : relationship’ - La relation hypertextuelle en question dans les Diagram Poems Series #3 de Jim Rosenberg

   ‘Inept at reading : relationship’ - La relation hypertextuelle en question dans les Diagram Poems Series #3 de Jim Rosenberg

   Arnaud Regnauld - 05.03.2012 - 15:02

7. Beyond The Threshold: The Dynamic Interface as Permeable Technology

   Beyond The Threshold: The Dynamic Interface as Permeable Technology

   Carolyn Guertin - 20.06.2012 - 19:29

8. All The Rage: The Digital Body and Deadly Play in the Age of the Suicide Bomber

   All The Rage: The Digital Body and Deadly Play in the Age of the Suicide Bomber

   Carolyn Guertin - 20.06.2012 - 19:53

9. Net Literature and Radio: A Work-in-Progress Report

   Published in:
   Heidi Grundmann, Elisabeth Zimmermann, Reinhard Braun, Dieter Daniels, Andreas Hirsch, Anne Thurmann - Jajes (Hg.):
   Re-Inventing Radio: Aspects of Radio as Art, Revolver, Frankfurt am Main 2008, S. 359-374

   Johannes Auer - 05.11.2012 - 13:26

10. POIESIS, p0es1s, p0es1e – e adiante: Uma retroperspectiva

    Being fascinated by the dynamics and the potential which medial technologies offer for the artistic investigation of materiality and the individual and social use of language, the poetological concept of the show formulated a key idea which is still reflected in the subtitle of the recent “poiesis”-exhibition: the difference between program and pixel, or between a perception proposition and the ‘underlying’ code. In his foreword to the small catalogue from 1992, André Vallias describes this crucial distinction from the code perspective: “Data dissolve the borders between bodies, surfaces, sounds, words, dots, tones, letters and numbers”.1 Accordingly, the show’s title “p0es1e” exemplifies the difference by intertwining the sign systems of perceivable writing and the digital code normally used to program in an ‘unobservable’ way what can be perceived. Observing the unobservable in language, is surely one of the core characteristics of experimental poetry. The conceptual fusion of different dimensions and uses of languages is still a prominent procedure of poetic reflexivity. Dick Higgins had formulated his concept of poetic intermedia along these lines, in 1965.

    Luciana Gattass - 09.11.2012 - 10:07

Pages