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1. “Machine Poetics and Reading Machines: William Poundstone’s Electronic Literature and Bob Brown’s Readies”

   “Machine Poetics and Reading Machines: William Poundstone’s Electronic Literature and Bob Brown’s Readies”

   Jessica Pressman - 26.07.2013 - 20:31

2. The Transducer Function: An Introduction to a Theoretical Typology in Electronic Literature and Digital Art

   In this essay I introduce the notion of transducer function in the fields of electronic literature and digital art. Firstly, I survey the transduction concept throughout its history in such domains as physics, genetics, microbiology, biochemistry, physiology, psychology, philosophy, logic and computer science. Secondly, I discuss the relevance of a transduction theory versus the advantage of a transducer function. I migrate the transduction concept into the fields of electronic literature and digital art, showcasing the contexts of application, and several transfer processes and functions. Finally, I apply the transducer function as a theoretical typology and a recognizable system, highlighting some artworks by R. Luke DuBois, André Sier and Scott Rettberg that can be read within this framework. Thus, it means taking into account a set of transfer and conversion processes: information, patterns and data among mechanisms, technologies, themes, creative and theoretical guidelines. In this sense, I develop a critical framework that operates as a method for analyzing and comprehend further digital artworks.

   (Source: Author's Abstract)

   Alvaro Seica - 15.08.2013 - 16:38

3. NOIGANDRES E INVENÇÃO: revistas porta-vozes da Poesia Concreta

   Com base na memória pessoal e pesquisa, este escrito enfoca as revistas da Poesia
   Concreta brasileira NOIGANDRES e INVENÇÃO, avaliando sua importância como veículos de uma nova prática poética.

   (Fonte: autor)

   Luciana Gattass - 19.08.2013 - 23:28

4. Poetic Machinations

   The article first recalls the historical evolution of computer poetry which, from Théo Lutz (1959) to alire (1989), evolves from experimentation to cultural entity. The emphasis is placed on the French evolution through its main expressions, which are the A.L.A.M.O., the first telematic review Art-Access the Les Immatériaux exhibition and the birth of L.A.I.R.E., a difference of viewpoints, of approaches and of the space given by the authors to computer poetry concerning the arts, the machine and the text. This progressive differentiation of focus questions approaches which were thought to be unchanging, regarding the notions of text, reader and author. This questioning started with the A.L.A.M.O. and progressed with L.A.I.R.E. Its description and the expression of the answers it proposes requires a new critical approach to the notion of text, more anchored in a communication pattern which has been developing since 1993 and whose present state is summed up in the third part. The article ends by demonstrating that the smooth running of alire is the full expression of what these new answers imply.

   (Source: Visible Language website)

   Alvaro Seica - 27.08.2013 - 11:39

5. New Media Poetry: Theory and Strategies

   Going beyond the mere employment of new communication technologies in the production of poetic texts, new media poetry integrates characteristics of the new media in the theoretical basis of its poetics. This paper outlines this basis and shows how it affects poetic and verbal conventions, particularly with respect to the constitution of texts and the roles of author and reader, and with regard to its implications for our views on language. The author thus contends that the innovative force of new media poetry lies not in the communicative channels used (e.g., computers, video, holography) per se, but in the exploration of their ramifications for syntactic, semantic and pragmatic aspects of verbal/poetic communication in general. This view is further developed through a discussion of some writing strategies of new media poetry.

   (Source: Visible Language)

   Alvaro Seica - 27.08.2013 - 14:47

6. Control and the Cyborg: Writing and Being Written in Hypertext

   Control and the Cyborg: Writing and Being Written in Hypertext

   Jill Walker Rettberg - 30.08.2013 - 10:46

7. Codework: Phenomenology of an Anti-Genre

   Codework: Phenomenology of an Anti-Genre

   Talan Memmott - 06.09.2013 - 10:40

8. An Emerging Canon? A Preliminary Analysis of All References to Creative Works in Critical Writing Documented in the ELMCIP Electronic Literature Knowledge Base

   As of July 2013, the ELMCIP Electronic Literature Knowledge Base includes documentation of more than 2,000 creative works and more than 2,000 articles of critical writing. Many of the records of critical writing include cross-references to the creative works they address. This article presents a preliminary analysis of all of the critical writing-to-creative work cross- references currently documented in the Knowledge Base in the aggregate. By developing static and interactive visualizations of this data, we might begin to see the outlines of an emerging “canon” of electronic literature.

   A slightly revised version of this paper was published in 2014 in ebr.

   Scott Rettberg - 06.09.2013 - 15:51

9. E_RUPTURE://Codework"."Serration in Electronic Literature

   E_RUPTURE://Codework"."Serration in Electronic Literature

   Talan Memmott - 12.09.2013 - 15:08

10. Ruch jako podstawa materializacji cyfrowej poezji konkretnej

    Ruch jako podstawa materializacji cyfrowej poezji konkretnej

    Urszula Pawlicka - 13.09.2013 - 22:08

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