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1. The Broadside of a Yarn: A Situationist Strategy for Spinning Sea Stories Ashore

   "The Broadside of a Yarn: A Situationist Strategy for Spinning Sea Stories Ashore", by J. R. Carpenter, reflects upon The Broadside of a Yarn, a multi-modal performative pervasive networked narrative attempt to chart fictional fragments of new and long-ago stories of near and far-away seas with nought but a QR code reader and a hand-made print map of dubious accuracy. The Broadside of a Yarn was commissioned by ELMCIP for Remediating the Social, an exhibition which took place at Inspace, Edinburgh, 1-17 November 2012. The Broadside of a Yarn remediates the broadside, a form of networked narrative popular from 16th century onward. Like the broadside ballads of old, the public posting of The Broadside of a Yarn signified that it was intended to be performed.

   J. R. Carpenter - 16.10.2012 - 14:52

2. Archivierung von performativer Netzliteratur. Eine ernste Polemik

   When we talk about literature based on the computer, it is not possible to distinguish between content and describing hard- and software. This is of crucial consequence for the filing. Netliterature that has the character of a work of art is to be divided into works of art that need proprietary software as a basis to make a performance possible and works that rely on open(ed) standards. Talking about the latter it is possible to file works together with the source code of the software that is needed to perform them and the documentation of the open standard. If you are interested in this kind of thing you will always be able to reconstruct a functioning platform on a universal machine of your own time. Digital works of art depending on proprietary software, however, typically must be allocated to the performance art. Therefore this type of performance art with proprietary software can only be filed as documentation. This is true for any performing netliterature that does not have the character of a work of art. Therefore, a digital piece of work that has not been documented after a certain time hereby is sufficiently filed.

   Johannes Auer - 05.11.2012 - 18:52

3. The Readers Project: Procedural Agents and Literary Vectors

   The Readers Project: Procedural Agents and Literary Vectors

   Daniel Howe - 06.11.2012 - 09:42

4. Der Tod des Autors als Geburt des Editors

   Der Tod des Autors als Geburt des Editors

   Jörgen Schäfer - 07.11.2012 - 17:26

5. Cartographies of Digital Fiction: Amateurs Mapping a New Literary Realism

   Cartographies of Digital Fiction: Amateurs Mapping a New Literary Realism

   Jörgen Schäfer - 08.11.2012 - 13:46

6. Poesia Eletrônica no Brasil: Alguns Exemplos

   Este artigo é um breve estudo sobre a poesia eletrônica no Brasil, sob enfoque histórico e num percurso a partir do uso das tecnologias do século XX e XXI (rádio, cinema, vídeo, computador, internet, web) que vem produzindo uma poesia que reúne palavra, imágem (estática e/ou animada) e som nos meios eletrônico-digitais (videopoesia, holopoesia, poesia eletrônica) usando a interface, a interatividade, a hipertextualidade e a hipermídia.

   (Source: Author's Abstract)

   Luciana Gattass - 08.11.2012 - 15:15

7. Kommunikation und Fiktion: Vom Schreiben und Lesen von Literatur im Internet

   Kommunikation und Fiktion: Vom Schreiben und Lesen von Literatur im Internet

   Jörgen Schäfer - 13.11.2012 - 15:22

8. Making Digital Poetry: Writing with and through Spaces

   Making Digital Poetry: Writing with and through Spaces

   Jörgen Schäfer - 14.11.2012 - 18:49

9. Digitale Editionen

   Digitale Editionen

   Jörgen Schäfer - 20.11.2012 - 14:51

10. Digitales Schreiben und Archivierbarkeit von elektronischer Literatur.

    Digitales Schreiben und Archivierbarkeit von elektronischer Literatur.

    Beat Suter - 21.11.2012 - 11:55

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