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1. Center for Literary Computing, West Virginia University

   Center for Literary Computing, West Virginia University

   Eric Dean Rasmussen - 26.05.2011 - 22:36

2. Electronic Literature: New Horizons for the Literary: Website Accompaniment

   (From the Website)

    

   This website was created in February of 2008 to compliment the publication of N. Katherine Hayle's book, Electronic Literature: New Horizons for the Literary. The website aims to provide additional resources to students and teachers of electronic literature. The site is divided into the following sections:

   Patricia Tomaszek - 27.05.2011 - 00:22

3. A community so well-versed in the other possibilities of the computer: On the tenth anniversary of the Electronic Poetry Festival

   A community so well-versed in the other possibilities of the computer: On the tenth anniversary of the Electronic Poetry Festival

   Scott Rettberg - 27.05.2011 - 22:53

4. Inner Workings: Code and Representations of Interiority in New Media Poetics

   'Inner Workings' addresses itself to the methods, properties and practices of writing systems, including human writing systems, whose very signifiers are programmed. What does programmed signification tell us about the inner human writing machine? John Cayley's essay participates in relevant metacritical and metapsychological discussions - reexamining Freud's Mystic Writing Pad in particular - and is specifically sited within the context of debates on code and codework in literal art. Rather than revealed interiority, code is the archive and guarantee of inner workings than reside beneath the complex surfaces of poetics in programmable media.

   Patricia Tomaszek - 27.05.2011 - 23:29

5. Process Window: Code Work, Code Aesthetics, Code Poetics

   The Process Window contains general information about the state of the process, with a summary of its current threads and their states.

   Patricia Tomaszek - 27.05.2011 - 23:44

6. Poetics of Dynamic Text

   Dynamic texts offer new possibilities for reading and new challenges in how we approach the reading object, forcing the final object away from the idea of a fixed form on a fixed surface. In order to "read" such an object, one must look deeper, into the code itself, and one must consider the various ramifications inherent in a code-based work. Ultimately, one must explore the edge where language apparatuses engage.

   Patricia Tomaszek - 28.05.2011 - 00:02

7. Coding the Infome: Writing Abstract Reality

   Because of their specific history, we think of computer languages and code as symbolic abstractions of natural languages, and computers as universal machines manipulating these symbols. However, today every computer exists in relation to the Internet, whether it is connected or not. Every software is potentially a networked software, a building block of the networks we live within and through. Because of this, code is no longer Text, a symbolic representation of reality - it is reality. To write code is to create and manipulate this reality. Within it, artist-programmers are more land-artists than writers, software are more earthworks than narratives, this creates new and fascinating issues in terms of referentiallity and meaning for the coding artist to delve into.

   Patricia Tomaszek - 28.05.2011 - 00:14

8. Technotexuality: An Interview with N. Katherine Hayles and Anne Burdick

   Interview with the author and designer of Writing Machines.

   Patricia Tomaszek - 28.05.2011 - 01:08

9. PennSound

   PennSound is an ongoing project, committed to producing new audio recordings and preserving existing audio archives. For an overview of PennSound — including a discussion of the project's pedagogical implications — we invite you to listen to PennSound podcast #6.

   We intend to provide as much documentation about individual recordings as possible; new bibliographic information will be added over time. Please contact us if you can supplement the information already provided.

   View the press release from PennSound's launch.

   PennSound is a project of the Center for Programs in Contemporary Writing.

   Contact us: pennsound@writing.upenn.edu

   People

   Eric Dean Rasmussen - 30.05.2011 - 15:05

10. Adventures in Mot-Town

    In his State of the Arts keynote, Coover offered a tour of a number of contemporary works of electronic literature, in the style of an adventure story following our hero "Mot" -- the word -- as it wrestles through the multimediated world of graphic networked technologies.

    Scott Rettberg - 30.05.2011 - 16:17

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