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1. Brown University, Department of Literary Arts

   For over 40 years, the Brown University Program in Literary Arts has been a creative and intellectual center for the U.S. literary avant-garde. Along with only a handful of other writing programs nationwide, Brown’s Program in Literary Arts provides a home for innovative writers of fiction, poetry, electronic writing (hypertext) and mixed media.

   Established in the mid-1960s by poet, translator and critic Edwin Honig, the Program in Literary Arts continues its tradition of hiring and retaining a faculty comprised of nationally and internationally known authors. Each year, the program offers 60 – 70 classes, awards the M.F.A. degree to approximately 12 graduate student writers, and confers Honors or Capstone certificates on about 35 talented undergraduate writers. In spring, 2005, the Program also established, for the first time, an undergraduate concentration in Literary Arts.
   (Source: Brown University website.)

   Eric Dean Rasmussen - 29.04.2011 - 10:13

2. Writing.3D

   Writing.3D

   Rita Raley - 04.05.2011 - 22:41

3. Slovenian Comparative Literature Association

   Slovenian Comparative Literature Association

   Florian Hartling - 05.05.2011 - 11:03

4. "mar puro”: An Interview with Aya Karpinska

   An interview on spatiality and three dimensional electronic literature

   Patricia Tomaszek - 05.05.2011 - 15:13

5. The Nihilanth: Immersivity in a First-Person Gaming Mod

   The Nihilanth: Immersivity in a First-Person Gaming Mod

   Rita Raley - 05.05.2011 - 15:28

6. Editor's Introduction: Writing.3D

   Editor's Introduction: Writing.3D

   Rita Raley - 05.05.2011 - 15:49

7. Code.surface || Code.depth

   This essay begins by identifying a central idea in the critical discourse on code art and code poetry: code is a deep structure that instantiates a surface. The AP Project’s Jonathan Kemp and Martin Howse, for example, explain that their work makes “manifest underlying systematics,” that can make the digital “physical, audible and visible through geological computing.” In what sense, if at all, can we trace a computing operation down to a foundation, bottom, or core? Why do we maintain this cultural imaginary of code and how has it come into being? Moreover, how have the metaphors of software engineering – particularly the notion of structured layers and multitier architectures – been put to artistic use? The thematizing of layers, surfaces, and spatial metaphors has become quite intricate in new media writing practices, as I will demonstrate in a reading of “Lascaux.Symbol.ic,” one of Ted Warnell’s Poems by Nari, and recent projects by John Cayley, including Overboard and Translation.

   Rita Raley - 05.05.2011 - 16:06

8. An Interview with John Cayley on "Torus"

   An Interview with John Cayley on "Torus"

   Patricia Tomaszek - 05.05.2011 - 16:20

9. An Interview with Dan Waber on "five by five"

   An Interview with Dan Waber on "five by five"

   Rita Raley - 05.05.2011 - 16:25

10. Modern Language Association

    Modern Language Association

    Patricia Tomaszek - 05.05.2011 - 18:09

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