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  1. Electronic Literature Organization 2015: The End(s) of Electronic Literature

    "The End(s) of Electronic Literature" Conference took place August 5-7, 2015, and was hosted by the BEL, the Bergen Electronic Literature Research Group at the University of Bergen. Pre-conference workshops took place on August 4th. The call for papers and works resulted in more than 300 submissions and selections have been made for the conference, performances, and exhibitions. (Source: http://conference.eliterature.org/2015)

    Jill Walker Rettberg - 18.05.2015 - 22:50

  2. ISEA2015 Disruption

    ISEA2015’s theme of DISRUPTION invites a conversation about the aesthetics of change, renewal, and game-changing paradigms. We look to raw bursts of energy, reconciliation, error, and the destructive and creative forces of the new. Disruption contains both blue sky and black smoke. When we speak of radical emergence we must also address things left behind. Disruption is both incremental and monumental. In practices ranging from hacking and detournement to inversions of place, time, and intention, creative work across disciplines constantly finds ways to rethink or reconsider form, function, context, body, network, and culture. Artists push, shape, break; designers reinvent and overturn; scientists challenge, disprove and re-state; technologists hack and subvert to rebuild. Disruption and rupture are fundamental to digital aesthetics. Instantiations of the digital realm continue to proliferate in contemporary culture, allowing us to observe ever-broader consequences of these effects and the aesthetic, functional, social and political possibilities that arise from them.

    Alvaro Seica - 03.09.2015 - 21:31

  3. Attention à la marche! Mind the Gap!

    Attention à la marche! Mind the Gap! questions the place of electronic literature in a digital culture. Present since the 1980s, electronic literary practices must now adapt and renew themselves in light of the proliferation and massive use of digital devices in our lives. How do they make us think about literature in its broadest sense and its current occurrences? What forms do they take in public and urban spaces? How do they articulate our relationships to the body, to culture, to our representations of ourselves and the world?

    Jane Lausten - 26.09.2018 - 14:26

  4. Feeling without Touching

    Feeling without Touching is a workshop inspired by John Koenig's The Dictionary of Obscure Sorrows, a list of invented words that describe feelings that “give a name to emotions we all might experience but don’t yet have a word for.” Through a series of guided activities that include movement and writing with the body, participants will explore what it feels like to interact with one another without “physically” being in touch and reimagine new ways of languaging emotion in digital spaces.

    Milosz Waskiewicz - 26.05.2021 - 15:20