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Hyper/Text/Theory
In his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques Derrida and Roland Barthes. Now Landow has brought together a distinguished group of authorities to explore more fully the implications of hypertextual reading for contemporary literary theory.
Among the contributors, Charles Ess uses the work of Jürgen Habermas and the Frankfurt School to examine hypertext's potential for true democratization. Stuart Moulthrop turns to Deleuze and Guattari as a point of departure for a study of the relation of hypertext and political power. Espen Aarseth places hypertext within a framework created by other forms of electronic textuality. David Kolb explores what hypertext implies for philosophy and philosophical discourse. Jane Yellowlees Douglas, Gunnar Liestol, and Mireille Rosello use contemporary theory to come to terms with hypertext narrative. Terrence Harpold investigates the hypertextual fiction of Michael Joyce. Drawing on Derrida, Lacan, and Wittgenstein, Gregory Ulmer offers an example of the new form of writing hypertextuality demands.
Eric Dean Rasmussen - 12.09.2011 - 08:36
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“How Do I Stop This Thing?” Closure And Indeterminacy In Interactive Narratives
Early critical article on narrative closure in both print and hypertext fiction that was developed into the book End of Books, Books without End. Provides an early and influential analysis of Joyce's afternoon, a story.
Jill Walker Rettberg - 15.10.2011 - 20:26
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Conclusions
Published in Hyper/Text/Theory (1994). Rpt. in Norton Anthology of Postmodern American Fiction.
Eric Dean Rasmussen - 16.02.2012 - 20:52
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Wittgenstein, Genette, and the Reader's Narrative in Hypertext
Wittgenstein, Genette, and the Reader's Narrative in Hypertext
Patricia Tomaszek - 25.03.2012 - 13:48
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The Political Computer: Hypertext, Democracy, and Habermas
The Political Computer: Hypertext, Democracy, and Habermas
Scott Rettberg - 26.06.2013 - 12:27
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Physics and Hypertext: Liberation and Complicity in Art and Pedagogy
Physics and Hypertext: Liberation and Complicity in Art and Pedagogy
Scott Rettberg - 26.06.2013 - 12:32
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Rhizome and Resistance: Hypertext and the Dreams of a New Culture
Rhizome and Resistance: Hypertext and the Dreams of a New Culture
Scott Rettberg - 26.06.2013 - 12:40
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Socrates in the Labyrinth
Socrates in the Labyrinth
Scott Rettberg - 26.06.2013 - 12:58
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The Miranda Warnings: An Experiment in Hypertext
The Miranda Warnings: An Experiment in Hypertext
Scott Rettberg - 26.06.2013 - 13:08
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Where No Mind Has Gone Before: Ontological Design for Virtual Spaces
Hypermedia designers have tried to move beyond the directed graph concept, which defines hypermedia structures as aggregations of nodes and links. A substantial body of work attempts to describe hypertexts in terms of extended or global spaces. According to this approach, nodes and links acquire meaning in relation to the space in which they are deployed. Some theory of space thus becomes essential for any advance in hypermedia design; but the type of space implied by electronic information systems, from hyperdocuments to “consensual hallucinations,” requires careful analysis. Familiar metaphors drawn from physics, architecture, and everyday experience have only limited descriptive or explanatory value for this type of space. As theorists of virtual reality point out, new information systems demand an internal rather than an external perspective.
Scott Rettberg - 02.07.2013 - 11:55