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1. Electronic Literature Collection, Volume Two

   A Creative-Commons licensed anthology collecting sixty-three works of electronic literature that can be browsed by author, title, and keyword. Contributions are from the following: Countries: Austria, Australia, Catalonia, Canada, Colombia, France, Germany, Israel, The Netherlands, Portugal, Peru, Spain, United Kingdom, United States of America Languages: Catalan, Dutch, English, French, German, Portuguese, Spanish Formats: Flash, Processing, Java, JavaScript, Inform, HTML, C++

   Eric Dean Rasmussen - 18.02.2011 - 18:11

2. In Search of Sustainability: Institutional and Curricular Limitations of Teaching Electronic Literature

   In Search of Sustainability: Institutional and Curricular Limitations of Teaching Electronic Literature

   Eric Dean Rasmussen - 13.06.2011 - 10:05

3. Digital Literature and the Digital

   In this article, the approach to the Digital is based on the distinction between three levels: a theoretical level, an applicative level and an interpretative level. Now digital literary works play on the tensions between the three levels and allow these tensions to be highlighted. Studying the conjunction of the Digital and of literary creation – by analysing digital literary works – thus proves to be relevant. Looking into the specific properties of the Digital can throw light on the potentialities of digital literature; in the same way, digital literature can act as a revealer for the Digital.

   Serge Bouchardon - 17.06.2011 - 12:09

4. Beyond the Book: François Bon and the Digital Transition

   Beyond the Book: François Bon and the Digital Transition

   Eric Dean Rasmussen - 22.08.2011 - 08:21

5. eLiterature questa (s)conosciuta. Storia e stato dell’arte, definizione e sistemi affini, generazioni e classificazione dei generi

   Questo contributo profila il fenomeno della letteratura elettronica chiarendo alcuni equivoci e indicando le caratteristiche salienti che rendono una forma letteraria digitale ascrivibile a tale fenomeno. Esso offre inoltre una breve storia e l’attuale stato dell’arte della letteratura elettronica, analizza le condizioni necessarie per ascrivere un’espressione digitale all’ambito della eLiterature e descrive le interazioni che avvengono tra eLiterature, Net Art, Game Theory e Computer Science. Esso offre infine una panoramica sulle generazioni e i generi di letteratura elettronica, mostrandone le caratteristiche salienti.

   Fabio De Vivo - 20.10.2011 - 16:12

6. Performing Digital Texts in European Contexts

   Performing Digital Texts in European Contexts: collecting, recollecting and commenting on digital texts and contexts operating in the inter-zones where digital media, literature, visual art and performance practices meet.

   J. R. Carpenter - 25.11.2011 - 13:02

7. Kac, Cayley, and Kargl on Translation

   Kac, Cayley, and Kargl on Translation

   J. R. Carpenter - 25.11.2011 - 13:19

8. Paradoxical Print Publishers TRAUMAWIEN

   Paradoxical Print Publishers TRAUMAWIEN

   J. R. Carpenter - 25.11.2011 - 14:02

9. Collecting digital literature in Europe

   Collecting digital literature in Europe

   J. R. Carpenter - 25.11.2011 - 14:10

10. Digital Literature: Theoretical and Aesthetic Reflections

    The emergence of a new phenomenon – digital literature – within the field of
    literary studies calls for the reorganization and creation of new theoretical and
    analytical repertoires. As models of communication change, so do
    reception and production processes accompanying these changes. Within these
    altered scenarios, the dissertation Digital Literature: Theoretical and Aesthetic
    Reflections is a response to the aesthetic and theoretical challenges brought on by
    computer-based literature. As a methodological strategy, the dissertation articulates
    recent trends in the theory of digital aesthetics – remediation (BOLTER),
    eventilization (HAYLES), correlations of performativity, intermediality and
    interactivity with meaning-driven analysis (SIMANOWSKI), Medienumbrüche
    (GENDOLLA & SCHÄFER) – with theories of production of presence
    (GUMBRECHT), autopoietic communicative models (LUHMANN) and closereadings
    of digital works. By scripting a dialogue with key theorists from print
    literary theory as well as new media theorists and artists in the burgeoning field,

    Luciana Gattass - 08.05.2012 - 14:38

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