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ISEA2012 Albuquerque: Machine Wilderness
The Eighteenth International Symposium on Electronic Art, ISEA2012 Albuquerque: Machine Wilderness is a symposium and series of events exploring the discourse of global proportions on the subject of art, technology and nature. The ISEA symposium is held every year in a different location around the world, and has a 30-year history of significant acclaim. Albuquerque is the first host city in the U.S. in six years. The ISEA2012 symposium will consist of a conference September 19 – 24, 2012 based in Albuquerque with outreach days along the state’s “Cultural Corridor” in Santa Fe and Taos, and an expansive, regional collaboration throughout the fall of 2012, including art exhibitions, public events, performances and educational activities. This project will bring together a wealth of leading creative minds from around the globe, and engage the local community through in-depth partnerships.
Eric Dean Rasmussen - 22.08.2011 - 10:20
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tExtra.Tour (tExtra.Touren)
tExtra.Touren is a collection of experimental literary works gassners oliver. Besides the known projects for the internet that use textual and visual elements, the hyper-literary edition including recent mail and copy-art projects as well as audio recordings of lectures. tExtra.Touren share consists of the "paper-copy mail.art ---. txt ---. --- sound. html". there go the early work seamlessly into the network since 1983 literary work on since 1996. all work gassners, whether on paper, as a copy, fax, mail or digital network literature, provide a kind of media-hacking: using simple means, the medium broken, to bring its procedures have revealed. gassner initiated a new poetics of writing, under network conditions, which can break the language use. [taken from http://www.cyberfiction.ch/textratouren.html ]
Dan Kvilhaug - 04.03.2013 - 16:33
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gsm.art
gsm.art
Dan Kvilhaug - 18.03.2013 - 15:54
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PIKSEL 14
Piksel is an annual event for artists and developers working with free and open source software, hardware and art. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free and open source software.
The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the open source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.
Hannah Ackermans - 31.12.2015 - 13:48
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IN & OZ: A Novel
N & OZ is a novel of art, love, auto mechanics, and two places: the actualities of the here and now and the desire for somewhere better. Five men and women – an auto designer, photographer, musical composer, poet/sculptor and mechanic – find themselves drawn together when they begin to suspect that the thing lacking in their lives might be discovered in the other place. Against the tension between idiosyncratic art and mass-marketed taste, each works to bridge the gulf between IN & OZ by using the medium of their trades: light and darkness; sound and silence.
Steve Tomasula - 16.07.2016 - 17:12
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101, Performance with a Mediapoetry Beads
101 performance is a collective reading of a human performer with a mediapoetic instrument. 101 is a mediapoetry instrument that counts the sonic beads of the 99 names of Allah. It is based on the use of built in camera as a movement sensor (Isadora), databases of musical sounds and text (Abelton Live). The sound is triggered with the movement of hand. The work reflects on the possibilities of relationships with the other: be it a parent, a colleague, a teacher, a spouse, or a god. The names avoid nomination, rather mark a universal catalogue of qualities of an other: superior, generous, only one, but at the same time torturer, killing, humiliator, reducer. In Islamic world these 99 names are used as a prayer. In the piece a pronoun “my” replaces the traditional definite article and male gender. This can bee seen as an act of both personalisation and desacralisation: the reducer – my reducer, the extender – my extender. The “my” is also a l’hommage to the Charles Bernsein poem My/My/My that was remediated by Nick Montfort and Anna Tolkacheva. Performer reads the list of names in choir with the machine.
Gyurim Lee - 31.08.2017 - 05:45
