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Internet Art
An exploration of the exciting and radical ways in which artists have embraced the internet and redefined the conventions of art.
Throughout the book, the view of artists, curators and critics offer and insider's perspective on the subject, while a timeline and glossary provide easy-to-follow guides to the key works, events and technological developments that have taken art into the twenty-first century. (From book cover)
Meri Alexandra Raita - 26.10.2011 - 10:38
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Electronic Literature Organization 2012 Media Art Show: Electrifying Literature: Affordances and Constraints
“Electrifying Literature: Affordances and Constraints” is the Electronic Literature Organization’s 2012 Media Art Show that takes place in conjunction with the ELO’s conference held in Morgantown, WV, from 20-23 June 2012. Curated by Dene Grigar & Sandy Baldwin, it is comprised of five venues across the city: The Monongalia Arts Center (MAC), the Arts Monongahela Gallery, West Virginia Univeristy (WVU), Downtown Library, the Art Museum of WVU, & the Hazel Ruby McQuain Amphitheater & features the art of 55 artists from nine countries; a retrospective of artists Alan Bigelow, J. R. Carpenter, M.D. Coverley, Judy Malloy, and Jason Nelson; a special commissioned geo-locative work by Jeremy Hight; artist talks; and performances.
(Source: Exhibition website.)
Eric Dean Rasmussen - 23.03.2012 - 22:00
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Thinking in Networks: Western/non-Western Interaction
This paper discusses artists' practices that in aesthetical-technical ways intervene into computer networked environments. The author is interested in Japanese media artists who, in interactive installations, rethink the use of technology that we encounter in the industrially-culturally compressed spaces of the metropoles, like Tokyo. These technologically saturated spaces have created super-density as a new cultural form of the present. The focus of the discussion is on artists' interventions in networks that in different ways make us aware of the possibilities for approaching and reflecting upon our behaviour in such media-cultural and ubiquitous mediascapes.
Elisabeth Nesheim - 27.08.2012 - 15:51
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Corporeal Poetry: Experiments with 3D Poetry in the MOVE Lab
This presentation discusses 3D electronic literature in production in the MOVE Lab, the Motion Tracking Virtual Environment Lab located at Washington State University Vancouver. Specifically, it will talk about three projects—Rhapsody Room, Things of Day and Dream, and Dancing—the methods used to create them, focus of the research underlying their production, and future plans for work generating from the lab.
Scott Rettberg - 08.01.2013 - 23:15
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Live Movies
The presentation "Live Movies" will employ digital images and video clips to depict and discuss new media performance as treated in our recent book, Live Movies: A Field Guide to New Media for the Performing Arts. Live Movies documents the New Stage Technology Project, in which we have been engaged for the past five years at the Multimedia Performance Studio (MPS), and the work of our performance company, Cyburbia Productions. We will also discuss the Live Movies book as a resource for the field of new media art and performance.
(Source: Authors' abstract, 2008 ELO Conference)
Scott Rettberg - 09.01.2013 - 01:21
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Инфоэстетика
Инфоэстетика
Natalia Fedorova - 19.01.2013 - 00:29
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Мифология on-line
В РАМКАХ ВЫСТАВКИ «МИФОЛОГИЯ ОНЛАЙН» В ЛЕКТОРИИ ПОЛИТЕХНИЧЕСКОГО МУЗЕЯ БУДЕТ ОРГАНИЗОВАНА ОБШИРНАЯ ОБРАЗОВАТЕЛЬНАЯ ПРОГРАММА, ПОСВЯЩЕННАЯ ИССЛЕДОВАНИЮ ИНТЕРНЕТА И ЕГО РОЛИ В СОВРЕМЕННОЙ КУЛЬТУРЕ. НА ПРОТЯЖЕНИИ ДВУХ МЕСЯЦЕВ ПРОЙДУТ КРУГЛЫЕ СТОЛЫ, ЛЕКЦИИ И ДИСКУССИИ, НА КОТОРЫХ ВЫСТУПЯТ ФИЛОСОФЫ, ТЕОРЕТИКИ МЕДИА И ХУДОЖНИКИ.
Natalia Fedorova - 21.01.2013 - 00:09
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Теории и практики медиаискусства - 3
Нерв семинара — внимание к одному из наиболее популярных и перспективных направлений современного искусства, в котором художественная среда соединяется с наукой и разнообразными технологиями — информационными, телекоммуникационными, био-, нано- и прочими. Участники семинара совместно с приглашенными специалистами обсудят потенциал медиа искусства в трансформации наших представлений об окружающей реальности и то, как оно способно пробуждать фантазию и помогает предвосхищать будущее. Семинар будет состоять из двух частей — в первой с докладами на тему современных медиа практик выступят специалисты из различных областей знания: художник и программист Никита Рокотян, ведущий сотрудник Библиотеки им. В.Г.Белинского и арт-критик Марина Соколовская, исследователь и со-оснаватель проекта «Точка ветвления» Александра Болдырева. Вторая часть будет представлять собой круглый стол, посвященный археологии медиа. В течение него все желающие смогут обсудить проблематику и сокрытый потенциал забытых, устаревших и иным образом выведенных из оборота медиа технологий. Модератором круглого стола выступит куратор Уральского филиала ГЦСИ, руководитель программы «Искусство. Наука.
Natalia Fedorova - 24.01.2013 - 15:06
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Art Focus for Technologies: Charm and Challenge
Since the very beginning of art ‘techne’ has been a substantial part of ‘poeisis’. The complex technologies of today create a particularly compelling and provocative frame for expressing artistic ideas. Media/ techno/ hybrid art is currently one of the most promising kinds of art that enriches art with most recent developments in science, robotics, electronics, telecommunication and bio technologies. Interacting with the objects and whole environments, the viewer is empowered to relate to the works in multiple ways and is intuitively immersed into the problematic field of contemporary technological culture. The unique modes of sensory engagement, when visual perception is closely tied with auditory and tactile, suggest new paradigms of cognition and proprioception. While internationally the media arts practice is supported by wide range of industries and governmental institutes, in Russia the development of this field is still sporadic.
Natalia Fedorova - 24.01.2013 - 18:47
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Interview with Dene Grigar
In this interview Dene Grigar tells about her approach to electronic literature in the early 1990s and about her work as curator for the exhibit "Electronic Literature and Its Emerging Forms" in 2015. She goes on describing some distinguishing features of electronic literature and explaining her 'conceptual shift' on regard to the way of working with computers. Finally she suggests some methods of analysis for the understanding of electronic literature for both academic scholars and mainstream audience.
Patricia Tomaszek - 28.06.2013 - 00:00
