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  1. Fleshis.tics

    Fleshis.tics gives voice to bodies enmeshed with digitality, through writing, and imagery. One strategy is by visually conveying this notion through a simple animated GIF called “fdrop,” , which imbues the word with a three dimensional fluidity and embodiment beyond the visible abstraction of traditional writing. The lines of verse belonging to each cybernetically embodied female voice are a poetic expression reminiscent of Donna Haraway’s “Cyborg Manifesto” and N. Katherine Hayles’ “How We Became Posthuman.” (Source: Leonardo Flores, I ♥ E-Poetry)

    The archived version of Fleshis.tics was sponsored by Create NSW - NSW Government.

    Hannelen Leirvåg - 13.03.2013 - 00:06

  2. New York City Map

    My most extensive internet project, New York City Map, is a sort of virtual guide to the most interesting parts of New York City (at least from my point of view). But it isn't a guide in the usual sense. While "walking" through these Web pages you can, as you choose, find yourself "standing" on a particular street, you can walk or go by subway direction you want, you can meet people and even "talk to them". In contrast to traditional maps, the aim of NYCMap is not to document the layout of the city or point out its most famous tourist attractions. With the NYCMap I've tried to capture the atmosphere, the energy, or that Something which I think makes New York City so curiously different from other cities with skyscrapers. At the same time, this project is my personal diary, a document of time I spent there since 1999. [Taken from official website, http://www.bankova.cz/marketa/prace/work.html ]

    Dan Kvilhaug - 14.03.2013 - 12:40

  3. Nacija-kultura

    This project (in a brief outline) consisted of a projection of real time search queries from the main Slovene search engine (at the time) formed in the shape of a sonnet with rich and multilayered references to the Slovene national poet and icon France Prešern and related questions of national identity seen through the crash of a myth of the nation (represented by Prešern) and the nations on-line search reality.

    (Source: Electronic Literature Publishing and Distribution in Europe, 2012)

    Dan Kvilhaug - 18.03.2013 - 15:13

  4. wap.sonnet

    Between 11 May and 16 June 2011, Igor Štromajer, one of the pioneers of net art in Slovenia and worldwide, carried out a ritual expunction of his classic net projects, which he created between 1996 and 2007. Every day during that period, he deleted one net art project; he removed it permanently from his server, so that the projects are now no longer available on the web server of Intima Virtual Base. He completely deleted 37 net art projects, totalling 3288 files or 101 MB. [wap.sonnet was one of the delted works]

    Dan Kvilhaug - 18.03.2013 - 16:04

  5. Dorothy Abrena McCrae

    Dorothy Abrena McCrae

    Tine Hjelmervik - 09.04.2013 - 16:58

  6. Bembo's Zoo

    Based on Roberto de Vicq de Cumptich’s delightful book of typographical animals, this website enhances the experience by providing beautifully produced animations (by Mucca design) that transition from the word for the animal to the animal figure built out of those letters. The sounds by Federico Chieli help breathe life into the animals, bringing us into their world and throwing in the occasional Tarzan cry to evoke a famous animal-related character. The typography is based on the Bembo font (named after the 16th century humanist poet Pietro Bembo), which provides a statuesque curvature and serifs to the letters that retain a manuscript feel to them. That humanist fluidity is evoked in this sequence of typographical visual poems, both in the print and Flash versions. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 28.04.2013 - 16:21

  7. Birdfall

    “Birdfall” deconstructs a single narrative sentence written in conventional English and slowly transforming it into mezangelle. As you scroll down the window to read each line and prose poetry paragraph, the language becomes stranger as she inserts extended passages in brackets inside of words, shifts spelling to homophones with different meanings, adds self-referential metatext that suggests links, and more. She uses animated GIFs in the background and foreground to signal to readers that there there are shifting intentions, language, and narrative— as if the ground on which this text is placed is unstable. (Source: Leonardo Flores, I ♥ E-Poetry)

    Hannelen Leirvåg - 03.05.2013 - 16:24

  8. Tendril

    Tendril is a web browser that constructs typographic sculptures from the text content of web pages. the first page of a site is rendered as a column of text. links in the text are colored, and when clicked, the text for the linked page grows from the location of the link.

    Jill Walker Rettberg - 28.06.2013 - 10:45

  9. [phage]

    Description from Marie-Laure Ryan's article "Cyberspace, Cybertexts, Cybermaps":

    A Director program created by the digital artist Mary Flanagan. [Phage] browses the hard drive of the computer, collecting bits and pieces of data, and throwing them back at the user (or should one say throwing them up ?) as a collection of decontextualized fragments that blow, rotate, and swirl on the screen like pieces of trash on a windy day at the dump

    Jill Walker Rettberg - 28.06.2013 - 15:21

  10. Penetration

    Penetration focuses on two individuals, a father and daughter. The natural world around them takes on the role of a third character called the Mothering Earth. Whenever you move the mouse pointer over a link, the status bar at the bottom of the window indicates which character the link leads to. Links leading to unvisited nodes (that is, sections of text not yet read) are white, while dark green links indicate nodes that you have already visited. A shade of light green (lying between the other two link colors) signifies that you have visited the node but it has not been fully revealed to you. If you click on a light green link to return to one of these partially revealed nodes, you will find the node's contents altered to reflect the new context in which you are reading it. This is accomplished by means of variable text elements created with the Connection System.

    This poem is part of The Seasons, which also includes the poem "Dispossession." The two share iconography for the navigational menu and other visual features. --Dene Grigar

     

    Jill Walker Rettberg - 28.06.2013 - 22:41

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