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1. Digital Humanities in Practice (DIKULT 207, Fall 2012)

   Digital Humanities in Practice (DIKULT 207, Fall 2012)

   Patricia Tomaszek - 24.08.2012 - 14:00

2. Digital Humanities in Practice (DIKULT 207, UiB, Fall 2013)

   Digital Humanities in Practice (DIKULT 207, UiB, Fall 2013)

   Patricia Tomaszek - 18.01.2013 - 11:50

3. Distant Readings of a Field: Using Macroanalytic Digital Research Methods to Data Mine the ELMCIP Knowledge Base

   The ELMCIP Electronic Literature Knowledge Base (http://elmcip.net/knowledgebase) is a human-edited, open-access, contributory Drupal database consisting of cross-referenced entries describing creative works of and critical writing about electronic literature as well as entries on authors, events, exhibitions, publishers, teaching resources and archives. The project has been developed by the Electronic Literature Research Group at the University of Bergen as an outcome of the ELMCIP project. All nodes are cross-referenced so users can see at a glance which works were presented at an event, and follow links to see which articles have been written about any given work or which other events they were presented at. Most records provide simple bibliographic metadata about a work or event, but increasingly we are also gathering source code of works, PDFs of papers and dissertations, videos of talks and performances, and other forms of archival documentation.

   Scott Rettberg - 06.09.2013 - 15:55

4. Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope

   Electronic literature is a rapidly growing area of creative production and scholarly interest. It is inherently multimedial and multimodal, and thus demands multiple critical methods of interpretation. Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope {Bottomless Pit} is a collaboration between three scholars combining different interpretive methods of digital literature and poetics in order to think through how critical reading is changing—and, indeed, must change—to keep up with the emergence of digital poetics and practices. It weaves together radically different methodological approaches—close reading of onscreen textual and visual aesthetics, Critical Code Studies, and cultural analytics (big data)—into a collaborative interpretation of a single work of digital literature.

   Ana Castello - 02.10.2018 - 19:40