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Netzliteratur.net and Edition Cyberfiction
Netzliteratur.net and Edition Cyberfiction
Eric Dean Rasmussen - 05.04.2011 - 12:38
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Publish and Die: The Preservation of Digital Literature within the UK
Publish and Die: The Preservation of Digital Literature within the UK
Eric Dean Rasmussen - 06.04.2011 - 11:23
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Literature in Digital Culture: Pedagogical Possibilities
Literature in Digital Culture: Pedagogical Possibilities
Eric Dean Rasmussen - 06.04.2011 - 11:58
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In Search for the Novel Possibilities of Text-Based Installations: Teaching Digital Literature within New Media Studies in Slovenia
In Search for the Novel Possibilities of Text-Based Installations: Teaching Digital Literature within New Media Studies in Slovenia
Eric Dean Rasmussen - 07.04.2011 - 12:32
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Teaching Digital Literature through Multi-Layered Analysis
Teaching Digital Literature through Multi-Layered Analysis
Eric Dean Rasmussen - 07.04.2011 - 12:34
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Literatura Electrónica
Weblog focused on electronic literature, digital art, and digital culture, featuring frequent reviews of works of electronic literature.
Scott Rettberg - 14.04.2011 - 00:51
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Netpoetic
Netpoetic is a collaborative weblog exploring digital poetry and electronic literature, including contributions from about 25 authors and critics active in the field, ranging from calls for works and announcements to reviews to pedagogical and theoretical observations. This collective activity is organized by digital poet Jason Nelson.
Scott Rettberg - 14.04.2011 - 12:09
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Introduction to Electronic Literature: A Freeware Guide
Introduction to Electronic Literature: A Freeware Guide
Scott Rettberg - 14.04.2011 - 12:27
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Electronic Literature and the Mashup of Analog and Digital Code
This essay examines the complexity of contemporary electronic literary practice. It evaluates how electronic literature borrows from, and also influences, the reception of the textual message in other forms of communication that efficiently combine image, sound and text as binary data, as information that is compiled in any format of choice with the use of the computer. The text aims to assess what it means to write in literary fashion in a time when crossing over from one creative field to another is ubiquitous and transparent in cultural production. To accomplish this, I relate electronic literature to the concept of intertextuality as defined by Fredric Jameson in postmodernism, and assess the complexity of writing not only with words, but also with other forms of communication, particularly video. I also discuss Roland Barthes’s principles of digital and analogical code to recontextualize intertextuality in electronic writing as a practice part of new media. Moreover, I discuss a few examples of electronic literature in relation to mass media logo production, and relate them to the concept of remix.
Patricia Tomaszek - 06.05.2011 - 15:17
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Dichtung Digital 40
This edition reflects upon the need of techniques to approach the ongoing upheavals taking place in today's technology-driven production of (literary) art. The contributions assembled here all discuss ways of reading cultural objects created with digital media. The objects of interest are: a computer game (Soderman), a performance of a work that houses and visualizes its literary artifacts on a website - a huge database of texts by different authors (Rettberg), default settings and electronic poetics in an age of technological determinism (Heckman), literary artifacts in between book and programmable media (Vincler), story-telling in the Gulf (Lenze), and signs in a culture of mashups (Navas). In a time when cultural objects in digital culture reconfigure the reception of their addressees, it is important to develop not only a proper understanding of the impact of these ruptures on literary communication but also an interpretation of the presented moves into the scope of scholarly discussion. Such an engagement calls for what Roberto Simanowski proposes in his contribution: "digital hermeneutics."
Patricia Tomaszek - 06.05.2011 - 18:42