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1. The New Place of Reading: Locative Media and the Future of Narrative

   Locative technologies hold out the promise to transform literary space in all of its dimensions, including its represented spaces, reading interfaces, and the very spaces within which literature is produced and consumed. Yet, despite the growing use of location-based technologies, authors and readers alike have been slow to take to site-specific narrative due to limitations inherent in both the current design of locative media systems and our received notions of what constitutes the narrative experience.

   Patricia Tomaszek - 22.11.2011 - 16:06

2. Subversive Writing and the Digital Text

   Our understanding of “subversion” can be traced to its Latin roots: vertere, which means “to turn, overthrow, or destroy,” and the prefix sub, which means, “under, beneath.”  Hence, subversion is literally destruction from below.  This understanding carries with it two different connotations, one which is more concrete, as a form of non-frontal assault on a government or similar institution, by staging the attack from behind enemy lines.  The second, relies upon the antagonistic connotations of the first, but refers to the act of turning a system upon itself from within.

   Eric Dean Rasmussen - 24.11.2011 - 11:54

3. Generating Books: Paradoxical Print Snapshots of Digital Literary Processes

   Since the advent of the internet, advocates and critics alike have heralded the end of the book. George P. Landow observed that hypertextuality and poststructuralism emerged at the same moment, both due to dissatisfaction with the printed book and hierarchal thought. Derrida argued the question of writing could only be opened if the book was closed. Consider, then, the paradoxical position of Vienna-based publishers TRAUMAWIEN. Recognizing that although the vast majority of the text produced by computer systems – protocols, listings, error logs, binary codes – is never seen or read by those who consume it, this text is internal to our daily thoughts and actions and is thus literary. TRAUMAWIEN conceives of the print books it publishes as snapshots of computer generated literary processes which would otherwise be disappearing as soon as they are written. This paper will discuss the iterative processes by which I generated one such book published by TRAUMAWIEN in 2010.

   J. R. Carpenter - 25.11.2011 - 12:05

4. Con/Tact/ile

   Con/Tact/ile

   Jerome Fletcher - 25.11.2011 - 12:37

5. Performing Digital Texts in European Contexts

   Performing Digital Texts in European Contexts: collecting, recollecting and commenting on digital texts and contexts operating in the inter-zones where digital media, literature, visual art and performance practices meet.

   J. R. Carpenter - 25.11.2011 - 13:02

6. CONT3XT.NET is Everything

   CONT3XT.NET is Everything

   J. R. Carpenter - 25.11.2011 - 13:13

7. Kac, Cayley, and Kargl on Translation

   Kac, Cayley, and Kargl on Translation

   J. R. Carpenter - 25.11.2011 - 13:19

8. Voice of the poet programmer Jörg Piringer

   Voice of the poet programmer Jörg Piringer

   J. R. Carpenter - 25.11.2011 - 13:30

9. Paradoxical Print Publishers TRAUMAWIEN

   Paradoxical Print Publishers TRAUMAWIEN

   J. R. Carpenter - 25.11.2011 - 14:02

10. Collecting digital literature in Europe

    Collecting digital literature in Europe

    J. R. Carpenter - 25.11.2011 - 14:10

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