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The Poets' Dream Database
In December of 2013, I mailed blank journals to thirty poets and asked them to record their dreams for two months and return the journals to me. I asked that they record the dreams themselves rather than their interpretations, relying on language, voice, and syntactical rhythm to emerge as distinctive markers. From the dream journals I compiled the dreams into a spreadsheet database, setting the linear retelling of the dream along the horizontal axis (rows) in chronological order, color-coded by poet. Ciphering the dreams into single cells was the true editorial work of the matrix. Even as poets were creating their own patterns, I was reorganizing dialogue, bisecting idioms, segmenting narrative apparitions. Phrases and snippets of these dreams were now decontextualized into raw form, phrases and words shaken out of their former constellations to become single pure poetic units. After the dream journals had been reorganized into the matrix, they could be used to generate new poetic material.
Hannah Ackermans - 28.11.2015 - 14:04
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News Wheel
News Wheel, 2016 is an iOS app that explores the poetics of ever changing news headlines. It begins as a static disk divided into nine sections each representing a different news source. Tapping anywhere on the screen causes the wheel to spin. Another tap stops the wheel and suddenly a headline in one of nine pre-selected colors appears on the screen. This playful interface invites users to start and stop the wheel eventually filling the screen with a collage of current headlines. Individual words can be deleted and repositioned so users can create their own poems from this content. In addition, dragging one's finger across the screen creates an animated chain of fragmented and poetic text derived from today's headline news. News Wheel is a creative and poetic way to view, juxtapose and interpret world events. (Source: http://www.jodyzellen.com/newswheeltalk/)
Hannah Ackermans - 26.06.2016 - 17:03
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News Wheel Artist Talk
In this Artist Talk, Jody Zellen introduces her new work News Wheel as well as showing some of her other works in which she uses 'the news', namely All The News That's Fit to Print, Without a Trace, and Time Jitters.
Hannah Ackermans - 26.06.2016 - 17:10
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Electronic Pies in the Poetry Skies
Charles Bernstein’s reflections on populism, democracy, and authority in the turbulent waters of web discussion groups and other new Internet sites.
(Source: EBR)
Filip Falk - 15.12.2017 - 17:24
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An Ocean of Static
"J.R. Carpenter draws language through the icy passage of code's style" Nick Montfort
An Ocean of Static transforms the dense, fragmented archive of the North Atlantic into an astonishing sea of fresh new text. From the late 15th century onwards, a flurry of voyages were made into the North Atlantic in search of fish, the fabled Northwest Passage, and beyond into the territories purely imaginary. Today, this vast expanse is crisscrossed with ocean and wind currents, submarine cables and wireless signals, seabirds and passengers, static and cargo ships.
In this long-awaited poetry debut by award-winning digital writer and artist J.R. Carpenter, cartographic and maritime vernaculars inflected with the syntax and grammar of ships logs and code languages splinter and pulse across the page. Haunting, politically charged and formally innovative, An Ocean of Static presents an ever-shifting array of variables. Amid global currents of melting sea ice and changing ocean currents Carpenter charts the elusive passages of women and of animals, of indigenous people and of migrants, of strange noises and of phantom islands.
J. R. Carpenter - 10.04.2018 - 13:01
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Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope
Electronic literature is a rapidly growing area of creative production and scholarly interest. It is inherently multimedial and multimodal, and thus demands multiple critical methods of interpretation. Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope {Bottomless Pit} is a collaboration between three scholars combining different interpretive methods of digital literature and poetics in order to think through how critical reading is changing—and, indeed, must change—to keep up with the emergence of digital poetics and practices. It weaves together radically different methodological approaches—close reading of onscreen textual and visual aesthetics, Critical Code Studies, and cultural analytics (big data)—into a collaborative interpretation of a single work of digital literature.
Ana Castello - 02.10.2018 - 19:40
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Reading the Ethics and Poetics of the Digital through John Cayley’s The Listeners
Earlier this year, poet-scholar John Cayley proposed that scholars and makers of electronic literature attend to the “delivery media for ‘literature’ that are, historically, taking the place of physical, codex-bound books” (John Cayley, 2017, “Aurature at the End(s) of Electronic Literature,” electronic book review). Among those emerging delivery media are so-called Virtual Digital Assistants (VDA) like Amazon’s Alexa, Microsoft’s Cortana, and Apple’s Siri. Capable of interpreting and producing human language, these domestic robots speak in pleasant female voices, offering access to information, music, social media, telephony, and other services. Their terms and conditions inform the consumer that once the device is activated, it records everything that is being said. The proliferation of VDA bears wide-reaching ethical and aesthetic ramifications that scholars in digital media should attend to.
Carlos Muñoz - 03.10.2018 - 16:07
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Differentials: Poetry, Poetics, Pedagogy
Differentials: Poetry, Poetics, Pedagogy
Ana Castello - 10.10.2018 - 15:29
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Textual entanglements & entangled texts: On relationality and narrative
The notion of entanglement is central to critical posthumanist thought. It might be said to have replaced the ubiquitous network metaphor or even the paradigm of the global in a number of contexts; at the very least, it stands in a tense relationship to them. While the figure of the globe is undeniably linked to human(ist) construction practices and the European colonial project, and a network-like connectedness implies links between objects that are ultimately thought of as separate, the topos of entanglement entails a fundamentally different, relational form of (intra)connectedness with other ethical implications. When fctional texts generate connectivity, e.g. by linking storylines that are separated in terms of their geographies, literary studies often habitually refer to these texts as "global novels" or "network narratives".
The implications of these tropes of connectivity themselves - as briefy outlined above - are rarely given much thought; and as labels, they cannot account for more complex and meshwork-like formations. In this talk, I will be thinking about the poetics and aesthetics of entanglement.
Cecilie Klingenberg - 26.02.2021 - 12:21
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Thoreau’s Radicle Empiricism: Arboreal Encounters and the Posthuman Forest
It is time to liberate the forest from the anthropocentric metaphor. Donna Haraway, endorsing Eduardo Kohn’s How Forests Think (2013), says this clearly: “A thinking forest is not a metaphor.” Recent work by Bruno Latour and Isabelle Stengers on “Gaia,” along with Timothy Morton’s concept of the “hyperobject,” demands that we reevaluate our tendency toward metaphor when dealing with trees.
Kohn’s work, along with Michael Marder’s and Peter Wohlleben’s, suggests that we emphasize the cognitive life of trees, rather than harnessing the image of trees as metaphors for human cognition. We must view the forest as a thinking entity in its own right.
In this paper, I examine Henry David Thoreau’s writing as a model for an encounter with trees that moves beyond mere metaphor. Thoreau draws on his position as an American Transcendentalist and an empirical naturalist to approach trees both philosophically and scientifically. As a poet, he does not make poetry out of trees, but instead sees the poetry that trees themselves create.
Cecilie Klingenberg - 26.02.2021 - 14:36
