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Writing on Complex Surfaces
Writing in programmable media is theorized in relation to the surface of writing.[1] Within the framework of currently dominant cultural and technological formations, the surface of writing is conceptually simple, and this overdetermines practices of writing. As it is typically conceived, the surface of writing is a flatland plane, a 3rd-dimensionless scroll (however segmented or, indeed, fragmented) on which linguistic symbols, similarly dimensionless, are arrayed. Once language has come to rest on this simple surface, any qualities it may possess of temporality or material depth are bracketed. Programmable media problematize this dominant but simple model, and yet, arguably, its depthless, timeless surface misdirects the composition and publication of writing, even writing that is instantiated in programmable media. In the field of poetics, there are traditions for which the surface of writing is complex. Although rarely made explicit, such approaches to the writing surface have enriched the practices of important writers, particularly poetic writers.
Patricia Tomaszek - 14.09.2010 - 17:21
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Ethnographic Study of an Online Creative Community
Ethnographic Study of an Online Creative Community
Penny Travlou - 21.09.2010 - 11:04
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'Scape the Hood
'Scape the Hood
Anders Løvlie - 21.09.2010 - 11:05
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Johns Hopkins University Press
The Johns Hopkins University Press is the publishing division of the Johns Hopkins University. It was founded in 1878 and holds the distinction of being the oldest continuously running university press in the United States. To date the Press has published more than 6,000 titles and currently publishes 65 scholarly periodicals and over 200 new books each year. Since 1993, the Johns Hopkins University Press has run Project MUSE, a large online collection of over 250 full-text, peer-reviewed journals in the humanities and social sciences. The Press also houses the Hopkins Fulfilment Services (HFS), which handles distribution for a number of university presses and publishers. Taken together, the three divisions of the Press - Books, Journals (including MUSE) and HFS - make it one of the largest of America's university presses.
Patricia Tomaszek - 21.09.2010 - 11:06
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Ingen elge på vejen den dag
Ingen elge på vejen den dag
Hans K Rustad - 21.09.2010 - 11:09
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NON-roman
Hypertext fiction in French.
Paper in French concerning this work: http://www.utc.fr/~bouchard/articles/Bouchardon_article-cahiers-du-numer...Serge Bouchardon - 21.09.2010 - 11:15
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The MIT Press
The MIT Press
Patricia Tomaszek - 21.09.2010 - 11:21
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On Navigation and Interactivity
On Navigation and Interactivity
Simon Biggs - 21.09.2010 - 11:22
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Postcard
web based generative text artwork
Simon Biggs - 21.09.2010 - 11:34
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Mozaic
web based interactive generative language artwork
Simon Biggs - 21.09.2010 - 11:35