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  1. Re:Cycle

    Re:Cycle is a generative ambient video art piece based on nature imagery captured in the Canadian Rocky Mountains.  Ambient video is designed to play in the background of our lives.  It is a moving image form that is consistent with the ubiquitous distribution of ever-larger video screens. The visual aesthetic supports a viewing stance alternative to mainstream media - one that is quieter and more contemplative - an aesthetic of calmness rather than enforced immersion.  An ambient video work is therefore difficult to create - it can never require our attention, but must always rewards viewer attention when offered.  A central aesthetic challenge for this form is that it must also support repeated viewing.  Re:Cycle relies on a generative recombinant strategy for ongoing variability, and therefore a higher measure of re-playability.  It does so through the use of two random-access databases: one database of video clips, and another of video transition effects.  The piece will run indefinitely, joining clips and transitions from the two databases in randomly varied combinations.

    Jim Bizzocchi - 20.06.2012 - 18:58

  2. #4artforfreedom

    In “#4artforfreedom” I sustain a mode of writing I began in 2007: exploring possibilities in creating anagrammatic digital poetry in multimedia contexts—now with the added feature of enabling multiple sonic possibilities. Works like this represent my own way of seeing language and imagery (in poetic texts) as a sustainable, or at least self-sustaining, self-supported form. For “Art for Freedom” I was thinking about gender equity, and the need—from Confucius, who I revise, onward—to demand parity. My presentation reflects and oscillates between the physical strength of everyone, visualizing a sensibility that bestows power to all. I render a plain yet artful visual aesthetic in order to support an unconventional and inventive constraint-based verse.

    (Source: ELO 2014 Conference)

    Marius Ulvund - 05.02.2015 - 14:54