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The End
The work was published on Young-Hae Chang Heavy Industries' web page in 2000 according to the Internet Archive's Wayback Machine.
Meri Alexandra Raita - 02.10.2011 - 15:38
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La Lutte Continue
La Lutte Continue
Meri Alexandra Raita - 14.10.2011 - 11:30
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Landskaber omkring digtet kompas
(from Christian Leifelt's personal website) The poem "Kompas" by Morten Søndergaard serves as a literary path for an interactive journey through odd maps, revealing landscapes, cut-up text-fields, fragments of memories, diary notes, snapshots from explored places and signs representing different virtual sights. The inner sleeve from the cd-release serves as a fold-out-map/invtitation for the exhibition.
Giovanna Di Rosario - 20.10.2011 - 16:16
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Artist's Statement No. 45,730,944: The Perfect Artistic Website (Korean)
Artist's Statement No. 45,730,944: The Perfect Artistic Website (Korean)
Meri Alexandra Raita - 23.10.2011 - 21:00
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Car Wash
A kinetic poem reflecting on the death of the author's father that uses the car wash as a metaphor for passing between worlds.
Scott Rettberg - 30.10.2011 - 20:36
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Radiophonic Laura: Voice, Song, Information, Intelligence
Web essay with video content on the various permutations of _Laura_ story through multiple media. _Laura_ is discussed as a parable of information exchange, with a focus on how sound is transmitted through and across multiple film texts, repetition and desire, noise and the cosmic.
Joe Milutis - 20.01.2012 - 22:17
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Errand Upon Which We Came
In "Errand," animation is used to establish links and disjunctions between images of moving objects in the natural world (e.g. frogs and butterflies) and the lexical and figural dynamics of the poem. These visual-kinetic images heighten the tensions among the meaning—mobilizing acts of "seeing an image," "watching a movement," and "reading a word." The work also employs cursor-activated elements, such as "touching" and "reading." "Errand" reflects on the nature of language and of reading, and these self-reflexive elements are embedded in considerations of how protocols of reading shape our consciousness.
(Source: Electronic Literature Directory entry by Patricia Tomaszek)
Eric Dean Rasmussen - 26.01.2012 - 12:20
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Red Lily
Red Lily is a Flash poem divided into three musical movements that address the pain of lost love. Visual symbols, like a child playing with ducklings and a calla lily, juxtapose innocence and death, while the sound of the tolling bell coupled with textual clues of blood and needles emphasize love's end.
(Source: description from the Electronic Literature Exhibition, MLA 2012)
Meri Alexandra Raita - 28.01.2012 - 14:51
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The Pines at Walden Pond
This lyric hypertext poem is based on a speaker’s thoughts and observations centered upon the pines at Walden Pond, a space celebrated in American literature thanks to Henry David Thoreau’s book Walden, his experiment in self-reliance and Transcendental song.
Larsen’s hypertext is mapped upon an image of a pine branch, in which several nodes are connected by spindly linear trails. Each trail of links can be interpreted as a line of thought, starting with four nodes that focus on the pines, the speaker’s perception of them, Thoreau, and the speaker herself. Following the link trails lead to nodes that hold together well, though there are both physical and conceptual branchings. Clicking on links as they appear within each text also creates thematic associations. Both ways navigating this poem lead to a powerfully associative coherence in a piece that engages the beauty of the place while questioning some of Thoreau’s politics.
(Source: Leonardo Flores, I ♥ E-Poetry)
Scott Rettberg - 03.02.2012 - 15:45
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Berlioz
Berlioz is ''a roll-your-own tone poem in fourteen movements. Roll your mouse over green event lines at left to reveal and hide poem components -- click to lock and unlock them 16,384 unique poems are possible; roll your own'' (Source: Author's website)
Meri Alexandra Raita - 19.02.2012 - 20:28
